scout2112
Tele-Holic
To be announced at NAMM next week. 50 Watts, three 12AX7 preamp tubes, two 6L6GC power tubes, eyelet board hand-wired construction, street price $850.
I don't really care about the Dumble part of it. If it sounds good (and it may not) then a amp of those specs for 850.00 is something I'm interested in. A head a a small cabinet would be ideal for me.
The drive sound in the demo sounds kinda' fuzzy, and not in a pleasant way.
Good on VHT for bringing some sanity to this type of amp for the market. Played through some of their amps before and they are really nice.
My Zen Drive sounds the same through my Blackface Deluxe Reverb. Oh, the DR is a 1980, and it’s Handwired!
This vintage style amp has some helpful modern features like an effects loop and bias points so you can effortlessly change your tubes without having to open up your amp or hire a pro.
Yeah, sorry, that makes it not a "real" amp then.
Pass the popcorn.![]()
There are so durn many controls that add or subtract gain, and max gain everywhere isn't a good sound.
AFAIK you can't even really get a good sound without cutting some controls if you want to boost others.
Old four hole Marshall you can turn everything all the way up and it sounds like Rock.
There are so durn many controls that add or subtract gain, and max gain everywhere isn't a good sound.
AFAIK you can't even really get a good sound without cutting some controls if you want to boost others.
Old four hole Marshall you can turn everything all the way up and it sounds like Rock.
I think another factor in using a D style is playing technique.
My sense was that it's important to use a light touch on the guitar and let the amp do the work. Hitting the strings hard can make fuzzy toanz at otherwise good settings.
The idea of bloom and note flipping is very much based on a light touch with a fairly high volume setting as opposed to hard picking at a lower volume setting.
I'm no expert on them though and my clone has some problems.
Just click "PAB" and turn it up. Except for one little thing it's a Bassman with an enormous sack in that mode.
The one little thing is Uncle Howie's filter. Couple snips and it's gone if I ever get in the same room with that amp.
That's what you said I guess.
Interesting. I've always had a light touch, and only dig in when I want a little emphasis, but that's not referring to causing and amp to go over the edge in to break up. I always use a pristine clean, with tons of headroom. Having said that, I played through a Dumble some time around the beginning of the 90s. I remember thinking it was really harsh sounding and didn't like it. I'd be interested in trying one again, but at the time I was really smitten with my Duncan Convertible (set up for a blackface type sound) so that may tell you where my ears' head was at.
Hand-wiring of course means nothing , as far as sound goes