Wrong-Note Rod
Poster Extraordinaire
This is an ongoing issue with me, sort of the second in a round of posts-questions.
I've got two teles. Pictured here to follow
the yellow one (Fender FSR) sounds the best for country and rockabilly but for some reason, it feels like the string tension is a whole bunch tighter and stiffer than in the other one (the graphics tele with the rosewood neck).
I've had a repair guy look at the yellow one, and he did a few tricks to make the string angle breaking over the saddles, as low as possible (a little neck adjustment was made here as well).
That seemed to have helped a little bit, but, the graphics tele is still a lot easier to play; the tension is less and therefore strings are much easier to bend and hold the bend.
The necks are both allparts, the same profile, the same nut width, the back shapes are close, and the same big frets. The graphics guitar has a graphite nut; the yellow guitar bone or standard epoxy, I cant remember.
I thought about maybe putting a six saddle bridge on the yellow one, perhaps that has something to do with the tension.
Can anybody else suggest things to try? Could it simply be the difference in fretboard woods?
I've got two teles. Pictured here to follow


the yellow one (Fender FSR) sounds the best for country and rockabilly but for some reason, it feels like the string tension is a whole bunch tighter and stiffer than in the other one (the graphics tele with the rosewood neck).
I've had a repair guy look at the yellow one, and he did a few tricks to make the string angle breaking over the saddles, as low as possible (a little neck adjustment was made here as well).
That seemed to have helped a little bit, but, the graphics tele is still a lot easier to play; the tension is less and therefore strings are much easier to bend and hold the bend.
The necks are both allparts, the same profile, the same nut width, the back shapes are close, and the same big frets. The graphics guitar has a graphite nut; the yellow guitar bone or standard epoxy, I cant remember.
I thought about maybe putting a six saddle bridge on the yellow one, perhaps that has something to do with the tension.
Can anybody else suggest things to try? Could it simply be the difference in fretboard woods?