Fluddman
Tele-Afflicted
I typically gig with small amps 10 to 20 watts. I mostly use a Vox style amp made by Victory on its 12 watts low power setting.
My band plays at a moderate volume and we get gigs because of this. Even so, our sound man is on my case.
I suspect he wants total control of vocals and instruments. My experience, as both a player and sound guy, is that guitars sound best coming from guitar amps (ideally at the edge of break-up) and for the small venues we typically play, there is no need for guitars to be in the FOH mix.
I do however accept that a guitarist cannot reliably judge if they are too loud standing on stage - so I don't dismiss his opinion.
Sorry for being long winded, but now to the point.
Is it time to invest in a very nice attenuator like the Tone King Iron Man II or maybe try a Tonemaster with their excellent power scaling.
With more valve/tube amps than fingers, I am leaning towards an attenuator.
How are you managing to appease the sound police. I'd be interested in hearing about it.
Thanks in advance.
My band plays at a moderate volume and we get gigs because of this. Even so, our sound man is on my case.
I suspect he wants total control of vocals and instruments. My experience, as both a player and sound guy, is that guitars sound best coming from guitar amps (ideally at the edge of break-up) and for the small venues we typically play, there is no need for guitars to be in the FOH mix.
I do however accept that a guitarist cannot reliably judge if they are too loud standing on stage - so I don't dismiss his opinion.
Sorry for being long winded, but now to the point.
Is it time to invest in a very nice attenuator like the Tone King Iron Man II or maybe try a Tonemaster with their excellent power scaling.
With more valve/tube amps than fingers, I am leaning towards an attenuator.
How are you managing to appease the sound police. I'd be interested in hearing about it.
Thanks in advance.