In any discussion of the (already complex) topic of 5E3 channel/knob interaction, some experienced user points out there's also the option of running a jumper between the channels. As if those 30-minute YouTubes showing how to set the three simple knobs weren't enough... 
Rob, as usual, has a clear, thorough discussion of how it works and what it does, with this nice pic of a typical setup. In fact, that's the setup I'd often used; try it, it's great. And yeah, this also works great with an ABY pedal.
But, further down the page, he also explains at least six options; the most common is sort of a mirror image of this, "cable into normal hi, jumper normal lo to bright hi." He also nicely analyzes what combination of impedance/attenuation/channel dominance features in each setup. Short version -- there are a *lot* of possible topologies.
Testing them out is fun -- and extremely challenging to my organization skills. Part of that is the wordy descriptions with lots of 'normal', 'bright', 'hi', and 'lo' in every bite, like the chocolate chips in grandma's wonderful cookies.
So being mostly crazy, I decided a graphic / mapping approach might help me find a few faves and explore their uses. Some are clearly good for jazz; some maybe rhythm; some maybe lead, or hot HBs, or low-powered SCs, or going the rest of the way crazy.
Avert your eyes if you're easily triggered. I numbered the variants 1-8 and A-D just so I could *pretend* to check them out in some organized fashion... In no way do I think we should ever talk about 'Jumper 5' the way we talk about Strat switch positions.
The first six are (I think) Rob's, with my kludgy short labels. I tried out #7 last night. Feel free and add your own with crayon -- nobody doing this should have access to any sharp implements.
Rob, as usual, has a clear, thorough discussion of how it works and what it does, with this nice pic of a typical setup. In fact, that's the setup I'd often used; try it, it's great. And yeah, this also works great with an ABY pedal.
But, further down the page, he also explains at least six options; the most common is sort of a mirror image of this, "cable into normal hi, jumper normal lo to bright hi." He also nicely analyzes what combination of impedance/attenuation/channel dominance features in each setup. Short version -- there are a *lot* of possible topologies.
Testing them out is fun -- and extremely challenging to my organization skills. Part of that is the wordy descriptions with lots of 'normal', 'bright', 'hi', and 'lo' in every bite, like the chocolate chips in grandma's wonderful cookies.
So being mostly crazy, I decided a graphic / mapping approach might help me find a few faves and explore their uses. Some are clearly good for jazz; some maybe rhythm; some maybe lead, or hot HBs, or low-powered SCs, or going the rest of the way crazy.
Avert your eyes if you're easily triggered. I numbered the variants 1-8 and A-D just so I could *pretend* to check them out in some organized fashion... In no way do I think we should ever talk about 'Jumper 5' the way we talk about Strat switch positions.