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Tele-Afflicted
I know this is all subjective, with that said my least favorite solo in a popular song is probably the solo in Steve Miller's "Abracadabra."
Okay, but can we really even call this a solo? This is just scratchy muting and a wah for gods sake:"I played fast to sound frantic, not frilly" - The best reason I didn't go with any Slayer songs. I seriously doubt that either King or Hanneman know how to solo in any given key or scale, but what they do is absolutely perfect for the music they make.
The first part of Freebird is a decent song. The last 35 minutes of it are terrible.The solo in skynyrd's "free bird." Five seconds of that is too much. Just as bad or worse than Young's "Cinnamon Girl."
I was in a band that covered Cult of Personality and for the solo I just put my left hand in the #1 blues box position for that pentatonic scale, and picked as fast as I could with my right hand while randomly moving my left fingers around in that scale. People said I played it just like him.Perhaps, but Vernon Reid's a great player regardless, even if his style isn't exactly my cuppa joe. But credit where credit's due!
Ted Nugent and I disagree. That wild solo has a lot of character and rocks like Gibraltar.The solos on Foreigner’s Hot Blooded are kinda suspect.
Of course, the F-boys ain’t noted for taste.
That somehow makes perfect sense.Ted Nugent and I disagree. That wild solo has a lot of character and rocks like Gibralter.
I always thought that Foreigner solo was bada**. Total reckless aggression. Basically everything rock and roll is supposed to be. If Ted says it rocks, it most definitely rocks.Ted Nugent and I disagree. That wild solo has a lot of character and rocks like Gibralter.
I remembered which Queen/Brian May solo!I’m no Journey fan, BUT ……
This is Neil’s finest hour, or 30-ish seconds.
It always reminded me a little of one Brian May’s solos.
Great song, great arrangement, great solo!
I know this is all subjective, with that said my least favorite solo in a popular song is probably the solo in Steve Miller's "Abracadabra."
Hell I would also argue that MJ was more important not only than Eddie but also more important than Quincy in the success of that and many of his albums.No, everybody knows it would have been a huge success, with or without Eddie’s 20-second contribution.
Well, everybody except for you.
Driven to Tears by The Police. Not only is the lead bad, it doesn't even remotely fit in with the song.
I’m no Journey fan, BUT ……
This is Neil’s finest hour, or 30-ish seconds.
It always reminded me a little of one Brian May’s solos.
Great song, great arrangement, great solo!
The plot (ever so slightly) thickens.I remembered which Queen/Brian May solo!
Somebody To Love.
The opening notes are similar.
Both great solos!
You know one way that helps to judge pop rock when we who judge are mostly a buncha guitar player dudes who are past our prime, is when the music we judge as not great enough was big, was the audience a 50/50 mix of men and women all equally excited about the music?The first part of Freebird is a decent song. The last 35 minutes of it are terrible.
They should have hired studio session players to play the last 2 hours of that song. That would have been awesome!You know one way that helps to judge pop rock when we who judge are mostly a buncha guitar player dudes who are past our prime, is when the music we judge as not great enough was big, was the audience a 50/50 mix of men and women all equally excited about the music?
Girls loved it and guys loved it so it seems they made pretty good choices in how they worked the room or the arena!
I suppose one could conclude that women at least appeared to enjoy the excessive guitar wankery for reasons other than musical, but I am just observing the gradual shift in improved guitar wankery technique that alienated audience members who were not specifically guitar wanker fan dudes.
That might be an entirely different category. There are indeed some solos that were meant to sound like crap. Some are mentioned in this thread ("Abracadabra", for one). In my opinion, there should be an "intentionally crappy guitar solo" category. Because that's an art form.The “solo” on Should I Stay Or Should I Go by the Clash.
Is it deliberately supposed to sound crap though is the question?
THIS is my absolute No. 1 of guitar solos, where I just never know, what they were thinking ?
Starts about 2.37:
And another one, talk about overplayingCa. 2.47:
I know this is all subjective, with that said my least favorite solo in a popular song is probably the solo in Steve Miller's "Abracadabra."