jman72
Friend of Leo's
Love my Ibanez Mikro. Since I got it about 4 years ago I haven't touched my Jazz bass. Don't miss the long scale AT ALL.
Heck yeah, get a short scale. They're a blast. You can always get a long scale later if you need or want one.Main purpose is jamming along with my teenage daughter who is learning guitar, though I think she will probably want to play it too. I only intend to buy one bass.
Mostly bedroom playing, I think, but possibly some school gymnasium etc., gigs for her rather than for me.
I think I am choosing between the Ibanez TMB-30 and TMB-100, or Squier equivalents. I prefer the look of the Talmans.
I'm not sure I buy the argument that a shorter scale is easier for guitarists to adapt to - my mandolin isn't "long scale", for example
I'm not totally devoid of bass technique - I haven't touched a bass in about 25 years but back then I was good enough to pick up some beer money filling with local bands in a pretty wide range of styles, and my instruments were a very heavy long-scale partscaster and a standup acoustic double bass.
I'm a bit put off by the active electronics in the TMB-100, as the single most annoying feature of my Godin acousticaster is the batteries that require a screwdriver to replace.
On this basis I am leaning towards the TMB-30, especially given that my daughter will be one of the users, but I'm well aware that kids can definitely play full-length bass guitars if they want to.
Should I be letting the battery thing put me off? Or should the short scale be putting me off more?
Damning yourself with fair praise, there.Here's another vote for the Gretsch G2220. I have it paired with a Rumble 40 and it sounds great and, like the gentlemen say, it is super easy and fun to play.
I sound better than Sid Vicious when I plug it in..
I'm a lifelong six-stringer who began dabbling in bass a few years ago for recording purposes (and LOVING it). My first bass was a G2220, and it has spoiled me. I love that thing, bone stock. Unfortunately I busted up the nerves in my picking/strumming arm a year or so ago, and I now need body contours to play comfortably. Since then I've gone down the rabbit hole trying to find a SS bass with contours that plays and feels like the Gretsch. No can do. A lotta nice ones in my collection now, good guitars, but that Gretsch is something else.A few months ago I tried a few basses back to back in a store through a big Orange rig. Among them was a Gretsch G220 which sounded fabulous and imo had a better build quality than my Hofner or the Squiers that I played.
That's funny. I just found the paperwork for my Mikro and realized it has been 4 years since I purchased it. Same exact experience as you! I have a wonderful full scale fretless Jazz bass that I never play now. It's really an accident of history that we ended up with the 34" electric bass rather than say 30". Leo chose that, and the 6 foot 4 Southern Cal bassist he worked with in refining his first-ever electric bass was happy with that size, and why wouldn't he have been? I'll never go back, and it's always a revelation when other bassists try mine and realize that maybe these aren't just for kids after all.Love my Ibanez Mikro. Since I got it about 4 years ago I haven't touched my Jazz bass. Don't miss the long scale AT ALL.
If you find yourself in a guitar store with a wide selection, do try both the Ibanez Mikro and the Squier Mini Precision. Both have contours and are in the sub 6 and half pounds category. The non-discontinued SS Jaguar is popular on the used market, going for twice the new price and up, but is 30" scale and contoured.I'm a lifelong six-stringer who began dabbling in bass a few years ago for recording purposes (and LOVING it). My first bass was a G2220, and it has spoiled me. I love that thing, bone stock. Unfortunately I busted up the nerves in my picking/strumming arm a year or so ago, and I now need body contours to play comfortably. Since then I've gone down the rabbit hole trying to find a SS bass with contours that plays and feels like the Gretsch. No can do. A lotta nice ones in my collection now, good guitars, but that Gretsch is something else.
You're totally right, and I've been trying to convince people of this for years. I don't get why guitar players are so intimidated by normal scale bass guitars, as if it was like trying to wield Thor's warhammer or something.I'm not sure I buy the argument that a shorter scale is easier for guitarists to adapt to - my mandolin isn't "long scale", for example
Variety is the spice of life. Buy a used one cheap and try it out. Gibson EBOs suck unless you want one tone With a hefty neck dive.
Thank you! The Mikro and the Mini Precision are both currently in my stable. They're the closest to fitting me and my playing style after the Gretsch. But even though they're only 1.5" shorter, they feel a lot smaller to me. The Gretsch is just perfect (for me) except for not having contours. I'm on the lookout for that SS Jag, as I have high hopes it may work out well.If you find yourself in a guitar store with a wide selection, do try both the Ibanez Mikro and the Squier Mini Precision. Both have contours and are in the sub 6 and half pounds category. The non-discontinued SS Jaguar is popular on the used market, going for twice the new price and up, but is 30" scale and contoured.