I wonder if the change in brightness noted after a switch to SS has to do with a new set of strings?![]()
Here's an interesting comparison (be sure to read the notes/summary below the video)
I wonder if the change in brightness noted after a switch to SS has to do with a new set of strings?![]()
Really? What did they not like? The majority seem to like them.
Ive been saying the same since the inception of Stainless frets.. and the fret wire to do one neck costs less than 5 bux over that of Nickel, so you guys shouldn't let techs ripp ya off for doing a stainless fret job...I was surprised to hear the man that works on my guitars say that SS frets are not much different to work on than regular ones. He said the process is exactly the same, and that his tools cut SS just fine.
Really? What did they not like? The majority seem to like them.
That watch case may have been hardened, which is an entirely different class of work.I agree about the tool. I started looking for better quality special files. may be you have some recommendations (links)
I am a jeweler. I will say that there is a big difference in the processing of gold and SS. Burs wear out quickly, as do files. The setting of stones in a SS (watch body) was carried out easily only with the use of a diamond-coated tool. I am currently thinking about automating the trimming of the ends of installed frets.
he may be very "noted". but the ears were still his weren't they?one a very noted player, who stated that they were too slippery & too bright/harsh to their ears.
I have had the exact OPPOSITE experiences over 30-some odd years, nickel is the "abrasive" "grinding" one... unless properly polished.It's the wear advantage I think. I seriously doubt SS stays smoother than Cupro Nickel though. CN is noted for it's ability to maintain a smooth surface, corrosion resistance and durability. SS is noted for galling and pitting in abrasive environments. I worked in aerospace sheet metal for 35 years and can verify the galling issues.
Still, everything is a compromise and SS seems to work out fairly well for frets.
The last guitar I played with SS frets I could feel the abrasiveness, like 'grinding' when bending strings. Maybe it needed polished or something.
There is abrasiveness of the strings and frets, then there is the abrasiveness of the filth on player's fingers. I doubt you have a hygiene issue, but a guitarist who routinely plays with dirty hands will wear both strings and frets - even SS frets. He/she may not wear them OUT, but certainly can take the shine off of them in a short period of time. When the shine is gone, the smoothness is gone. SS frets are certainly more resistant to this, but they aren't indestructible. People wanting good wear on any fret/string combination need to keep the strings and fretboard clean, and the frets shiny.It's the wear advantage I think. I seriously doubt SS stays smoother than Cupro Nickel though. CN is noted for it's ability to maintain a smooth surface, corrosion resistance and durability. SS is noted for galling and pitting in abrasive environments. I worked in aerospace sheet metal for 35 years and can verify the galling issues.
Still, everything is a compromise and SS seems to work out fairly well for frets.
The last guitar I played with SS frets I could feel the abrasiveness, like 'grinding' when bending strings. Maybe it needed polished or something.
If your frets have akind of "cool", blue-ish shimmer (like chrome hardware), and a very mirror-like shine, they might be SS.Wonder how I can tell if I have or not..
The guitar in my avatar is my #1 which I had played for over 18 years when it needed a refret. I went with SS, and I immediately noticed a difference in the sound when I got it back. As you noted, it was just in the attack. I wouldn't have called it a "ping," but now that you mention it, it's a good description. The initial impression is that it's brighter, but that's not really it. It does give it a sharper, more immediate attack. Maybe it's just my guitar, but I am very familiar with the way it sounds from so much use, and there definitely is a noticeable difference to me. FWIW, I did and do not see that as a negative.To my ear when I play legato, hammering on into an absolutely clean and bright amp, I hear a difference in the attack of the notes. There’s a slight ping. Add a touch of overdrive and you can’t hear it. Back off the tone control and it’s gone. My conclusion is that very few guitarists play that way.
Thank you for sharing your experience..
I switched to stainless steel frets and found my installation speed went up. You need to alter your installation methods. Like pre-cut the frets to length so you make one cut for each from the spool rather than overhang the frets on both sides of the fretboard and make three cuts after pressed in.
I also switched from medium jumbo (to get more wear life) to medium wire so less crowning.
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