I remember seeing an interview a million years ago with Paul Simon (maybe Dick Cavett or Dan Rather or....) where he talked about writing "Mrs. Robinson" and how he was working on the film (The Graduate) and watching a scene and just noodling, then he came up with the line about mrs. robinson, then he had one about mrs. roosevelt (which he quickly edited and changed to mrs. robinson) and then he vamped and came up with 'where have you gone Joe DiMaggio, our nation turns its lonely eyes to you' (I always thought it was 'a nation turns its lonely eyes to you) but, okay...
And in the interview, Simon said something that I think about still... he said(paraphrasing), 'i had no idea what it meant. I couldn't even figure it out, but I liked it and thought, well, it will mean something later'...
When I write songs, I tend to write about the 'little man' not the guy who is winning, or overcoming or brave... but, the guy who is way behind or ordinary or nothing special... and I'll like a line and not know why, but just stay with it...
As I work through my old songs, I'm finding delight in seeing this pattern... in two songs that I'm working on (recording) I finally realize what they are about...
Is this your experience too?
And in the interview, Simon said something that I think about still... he said(paraphrasing), 'i had no idea what it meant. I couldn't even figure it out, but I liked it and thought, well, it will mean something later'...
When I write songs, I tend to write about the 'little man' not the guy who is winning, or overcoming or brave... but, the guy who is way behind or ordinary or nothing special... and I'll like a line and not know why, but just stay with it...
As I work through my old songs, I'm finding delight in seeing this pattern... in two songs that I'm working on (recording) I finally realize what they are about...
Is this your experience too?