When the siblings from a major star give it a go.

Blazer

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Well, it's safe to assume that every major star, sans of couple, who were only child, has a brother or sister or two. And it's also safe to assume that those said siblings tend to go “Why, if they can achieve such fame, then so can I!”

Some pull it off by distancing themselves from their famous family, case in point, Janet Jackson
image

From her very first TV appearances, whenever a presenter said "She's Michael Jackson's sister." she'd correct them "No he's MY brother!" She was going to make it without riding her brother's coattails. She achieved just that by adopting a totally different sound to her music and her musical direction.

But not every Jackson sibling chose to go at it the way she did. When Michael had his monster success with the "Thriller" album, the Jacksons decided to come back together as a band and release an album called "Victory" to cash in on the success.

But one thing the brothers decided on, was that it was only fair that every single one of them should at least write and do the lead vocal on one of the tracks. Marlon did so on the song "Body"

Sounds familiar? It uses a very similar beat to MJ's "Wanna be starting something" but it lacks the MOJO of that one. Note also that in the picture, MJ is put in the back, the others looking like "Okay then, our turn Mikey!" I on purpose didn't post the music video, since it's such a train wreck.

"Victory" was a disaster and the tour to support the album saw the brothers not playing a single song from the album they were to support, instead, old Jackson Five songs and MJ's solo stuff was performed.

Okay, so Marlon Jackson's "Body" is tacky and a clear cash grab, but at least he CAN sing, which is more than could be said about another Jackson sibling.

In La Toya's defence, she sings outside her range, and it appears that the producer never had the heart to tell her "Maybe we should do this in a different key."

Paul-McCartney-and-Brother-Mike-McCartney.jpg

Paul and Michael McCartney. Yeah, so how do you top your bro if he's a BEATLE? In Michael's case, by adopting the name Mike McGrear and making a career out of doing novelty songs, no harm done, no coattail riding.

Mike has often been asked why he didn't want to use the "McCartney" name to his advantage, his reasoning was that he wanted to have success based on his own work, not Paul's.

And then there's Cecil Womack.
watermarked-preview

Seen here with his brother Bobby.

Yeah, you can see where this is going, look up pictures of Cecil, and you'll get more pictures of Bobby, no matter how he tried, he always was going to be "Bobby Womack's brother". I can't even tell which is which in this picture.

But it wasn't for lack of talent, Cecil and his wife Linda Cooke (Sam Cooke's daughter) managed quite well on their own merits, producing some very righteous soul music during the eighties.
 
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teleman1

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I have always had an eye on Paul's brother. Like what his life must be. He must have it together cause you never hear bad about him. He seems very bright in the interviews I have seen of him. I am pretty sure he does a lot of work and helps Paul. The trust must be level 10.
 

Killing Floor

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I have always had an eye on Paul's brother. Like what his life must be. He must have it together cause you never hear bad about him. He seems very bright in the interviews I have seen of him. I am pretty sure he does a lot of work and helps Paul. The trust must be level 10.
Having to carry the weight of losing your brother and then half century of silence, inviting Billy Shears to holiday dinners and holding it all together. The guy is a rock.
 

soul-o

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Mike McGear's music actually was just a bit more than his work with the Scaffold, though. His 1974 McGear album is essentially a Wings album with Mike singing lead. Now, I'm not saying Wings was at their best musically just then, but Paul wrote quite a iot of it and really threw himself into lending a hand.
 

buster poser

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Not taking anything away from her, but Janet Jackson didn't go in even a remotely different direction to her family until "Control" (her third record), and even that was also mainstream vocal R&B, heavy on the dancing. And her look on "Rhythm Nation" (89) owes a bit of debt to the "Bad"-era (87) MJ.
 

Blazer

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Not taking anything away from her, but Janet Jackson didn't go in even a remotely different direction to her family until "Control" (her third record), and even that was also mainstream vocal R&B, heavy on the dancing. And her look on "Rhythm Nation" (89) owes a bit of debt to the "Bad"-era (87) MJ.

Well, as I said, early TV appearances by Janet had her saying that MJ was her brother, but she was not his sister, as in "I don't want people seeing me as being 'The sister of!' "

Also, it says a lot when she became successful after she ditched the R&B sound from her first two albums in favor for the Minneapolis sound, masterminded by former Prince Protégé's Jimmy Jam and Terry Lewis.

The time live in 1982, Janet's “Control” album, owed everything to what the Time brought to the table here. It was way rawer in feel and groove compared to MJ's output at the same time. (Pun intended)


As for her look on Rhythm nation being influenced by MJ's bad, err, no, it was actually pretty much the other way around, "Control" had Janet rocking the black and the "I'm bad" vibe to both her lyrics and attitude before MJ did the same.

But Janet has since admitted that she took the military parading in her dance routines during the Rhythm Nation tour from MJ's "Captain EO" which she asked permission to do so.
 

buster poser

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Well, as I said, early TV appearances by Janet had her saying that MJ was her brother, but she was not his sister, as in "I don't want people seeing me as being 'The sister of!' "

Also, it says a lot when she became successful after she ditched the R&B sound from her first two albums in favor for the Minneapolis sound, masterminded by former Prince Protégé's Jimmy Jam and Terry Lewis.

The time live in 1982, Janet's “Control” album, owed everything to what the Time brought to the table here. It was way rawer in feel and groove compared to MJ's output at the same time. (Pun intended)


As for her look on Rhythm nation being influenced by MJ's bad, err, no, it was actually pretty much the other way around, "Control" had Janet rocking the black and the "I'm bad" vibe to both her lyrics and attitude before MJ did the same.

But Janet has since admitted that she took the military parading in her dance routines during the Rhythm Nation tour from MJ's "Captain EO" which she asked permission to do so.

Yeah, that seems fair enough, good read top to bottom. I feel like they had a little rivalry going on, but their music definitely seemed of a piece or at least it wasn't uncommon to hear them both on the same radio station. Those first two with Terry & Jimmy are still favorite records of mine and we wore out Rhythm Nation when it was released. I remember it as one of the first 'R&B' records with credible & fresh 'hip-hop' production; a lot of that era (including Michael's 'Bad' album) felt like older/rock dudes not keeping up. Michael would mostly move on from QJ and team up with Teddy Riley soon in response to Rhythm Nation iirc.

Mainstream R&B sort of all went in that sonic direction soon after and I mostly stopped listening to it, but for a while it was fun. Any of that New Jack Swing stuff still gets me boppin around the house.

Anyhow I think Janet was ten times the artist Michael was. For me, she remained more interesting and more relevant over a longer stretch, and that's before we get into the rest of his story. She benefited from him being first of course, but I dig her and wonder where she'd be if not for the superbowl pearl clutching 20 or so years ago.
 

Happy Enchilada

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I was listening to Sirius XM ('70s on 7) the other day and the readout for the song was
DADDY'S HOME by Jermaine Jackson. Wow - somebody besides Michael!
Didn't he name a kid "Jermajesty"?
 
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