What Gives a Twin Reverb Its Sound?
- Thread starter trber
- Start date
This is exactly way I run my amp through a a Torpedo CAM M now. No mic, just CAB M straight into the PA. It sounds so much better. I can hear me, and everyone else can here me. I'm using my BF Bassman clone, with an Eminence Maverick dialed all the way back, but a a good PR or DR type amp could do the job too.
cyclopean
Poster Extraordinaire
There’s a doghouse in the amp? That has to be for a very tiny dog and i can’t imagine it makes the amp sound any better.
IMMusicRulz
Tele-Afflicted
The Twin Reverb was a good amp for distortion. It was a Fender amp that was way ahead of its time.
I believe that a lot of blues players got their tones through Twin Reverbs, namely Peter Green, Bob Welch and Danny Kirwan of Fleetwood Mac (though they also used Marshall, Orange and Fender Dual Showmans in association with their Twin Reverb.)
I believe that a lot of blues players got their tones through Twin Reverbs, namely Peter Green, Bob Welch and Danny Kirwan of Fleetwood Mac (though they also used Marshall, Orange and Fender Dual Showmans in association with their Twin Reverb.)
What? It's literally the same preamp Fender uses in all their amps paired to a different power section, and they were all released in 1963/64.
IMMusicRulz said:
The Twin Reverb was a good amp for distortion. It was a Fender amp that was way ahead of its time.
FTFY: " WHAT?!?" Is a perfect response to anyone using a twin for distortion
The Twin Reverb was a good amp for distortion. It was a Fender amp that was way ahead of its time.
FTFY: " WHAT?!?" Is a perfect response to anyone using a twin for distortion
