Mustard-Cutter
Tele-Meister
I have an Am Pro Telecaster that I originally bought because it seemed to have everything going for it. After several years, curiosity got the best of me and I decided to put in some aftermarket pickups and electronics. First I put in some Lollar Vintages I had which I like but they were too scooped and had too much bite and treble compared to the stock V-Mod pickups. I gave them a fair shot but eventually accepted that they weren't a good fit. I then swapped them with some Lollar Specials I had in another Tele which were a step in the right direction but were still ostensibly not on par with the original stock setup.
Eventually I accepted that there really wasn't anything about the stock pickups I wanted to change and that I was just prodding around to see if "better" was still a possibility, whatever it may be. I only tried two other sets of pickups so maybe it still is, but I like the stock V-Mods in this guitar a lot so why even bother. In my experience they sound particularly good on recordings and have this uncanny ability to sound full and balanced when picked up by cell phone mics in live venues. They have rich sounding mids and the bridge pickup has some PAF-like qualities in all the right ways.
The older I get and the more I mess with this stuff the more I'm of the belief that it's better to not mess with guitars that "do the thing" and just leave them be. I think it's really easy to fall into the trap of thinking more expensive, more rare, more boutique automatically means an upgrade. Sometimes cheaper parts just sound better, and there's no real reason to overthink it.
Eventually I accepted that there really wasn't anything about the stock pickups I wanted to change and that I was just prodding around to see if "better" was still a possibility, whatever it may be. I only tried two other sets of pickups so maybe it still is, but I like the stock V-Mods in this guitar a lot so why even bother. In my experience they sound particularly good on recordings and have this uncanny ability to sound full and balanced when picked up by cell phone mics in live venues. They have rich sounding mids and the bridge pickup has some PAF-like qualities in all the right ways.
The older I get and the more I mess with this stuff the more I'm of the belief that it's better to not mess with guitars that "do the thing" and just leave them be. I think it's really easy to fall into the trap of thinking more expensive, more rare, more boutique automatically means an upgrade. Sometimes cheaper parts just sound better, and there's no real reason to overthink it.