The best Muff yet?

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artdecade

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The OP is taking a nap...

sad.gif
 

ICTRock

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I like the whole "military electronics specialist" as implied quality or thoughtfulness of design. its like the braggadocio surrounding being a NASA certified solderer. I'm sure its a fine product and the guy is nice and all but it got me to thinking ...

it occurred to me that the guitar amplifier and effects industry as a whole has a myriad of otherwise unqualified experts with half finished degrees or "years of experience" as makers/tinkerers which I think has led to the current status of a glut of product without real innovation. It feels like a big cut/copy and paste affair.
 

artdecade

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it occurred to me that the guitar amplifier and effects industry as a whole has a myriad of otherwise unqualified experts with half finished degrees or "years of experience" as makers/tinkerers which I think has led to the current status of a glut of product without real innovation. It feels like a big cut/copy and paste affair.

This just occurred to you...? :lol: I'm sure you've given that some thought before.
 

11 Gauge

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it occurred to me that the guitar amplifier and effects industry as a whole has a myriad of otherwise unqualified experts with half finished degrees or "years of experience" as makers/tinkerers which I think has led to the current status of a glut of product without real innovation. It feels like a big cut/copy and paste affair.

I can grok that.

The thing is, I don't charge most of those folks with "foul play," because IMO they don't really need to put in the effort to make products like that.

The reason we see a ton of TS/FF/BM derivatives is because the vast majority of guitarists are okay with purchasing something very similar over and over again. Same thing with Strat-like guitars, LP-like guitars, and all of the archetype classic amps that I probably don't even need to list...

What is funny IMO is that the lack of innovation is in plain sight...with guitars that we 'prefer.' The vast majority of them were not designed by guitar players. It's so funny that many of their features have not really been improved on. Perhaps one of the biggest curiosities to me is guitar bridges - most look barely different than what was offered a half a century ago. If you asked the average guitarist about "sustain 101 from a physics standpoint," you'd just get glossy eyes!

...I got a Babicz bridge for one of my Teles a few years ago. While it is probably still way on the conservative side WRT what would TRULY be cutting edge design, it does make a very crisp and clean break from the past in many ways. It boggles my mind that really no one talks about the Babicz stuff, or some have replaced them with other "dark ages bridges."

So - if this is the case with the mechanical parts on our guitars, what's the chance of getting served up some innovation with other stuff?

It's far easier for even an educated pedal builder to simply "do the recycler thing" as well - take something existing and put their "genius touches" on it. I think that some of them even get applauded for it!

...In the case of the Big Muff, it's kind of laughable IMO. Matthews paid Bob Myer (a Bell Labs engineer) what was a modest sum of money for a design that was released in 1969 - that's almost a half a century ago! IOW - to "improve on it" (at this point), you'd basically have to throw away what Mike paid Bob for, and just start over!

Bob wasn't even a guitarist, either (IIRC). I think he kind of misunderstood M.M.'s intentions at first, that Mike was looking for something that could be built very cheaply, with common components (that could be substituted if necessary!). Well, Mike also wasn't (isn't) a guitarist - he's a keyboard player!

...It doesn't mean that non-guitarists can't design or build musical stuff. After all, after "the designer fills their role," the folks that usually assemble these things probably don't play guitar either! :eek:

And while high-tech goodies for guitar won't necessarily sound any worse than "regular tech" stuff, it's just overkill to use gold plated stuff, mil-spec boards, and methods to suppress noise or distortions that aren't in the audible range. AND - the audible range thru the typical guitar amp is a fraction of what we can hear, or what a decent stereo is capable of. IOW, IMO, it's absolutely throwing good money after bad.

"Good money after bad," you're thinking? Yes, especially with a freakin' Big Muff. Lots of folks don't realize that the transistors really aren't "biased correctly." It's not that it matters, unless you're trying to make it into "something hi-tech," which it will simply never be (IMO)!

IMHO, the mark of an innovator will rarely be represented by starting with a pre-existing product, and claiming to properly re-engineer it. It's not to say that their efforts are wasted, just that we probably shouldn't be so liberal throwing tons of kudos. That said, I never hold my breath waiting for products that aren't (heavily) derived from other things. Why? It's hard to make money that way, so the innovator has to do it for the love of innovation. And that doesn't put food on the table. :cry:
 

MilwMark

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How in the world could a Muff ever be considered 'transparent'?

Also, does a Muff have active EQ? I presume this one is 2 band (and that's why there are 4 knobs)? Seems un-Muff-y somehow. But then it's "smooth" and "detailed" and "gritty" all at the same time. Yippee!
 

waparker4

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Also, does a Muff have active EQ? I presume this one is 2 band (and that's why there are 4 knobs)? Seems un-Muff-y somehow. But then it's "smooth" and "detailed" and "gritty" all at the same time. Yippee!

Muff has passive EQ!

And they are not transparent. lol


Pedal doesn't sound that spectacular to me in the demo. Sounds like my $50 muff clone. But then I don't particularly care for em
 

ICTRock

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in fairness I had just read this week's tone report where they were talking about studio grade pedals from a guy with an unfinished degree ... and I was in the mindset for such thoughts.
 

ICTRock

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the answer to the question of "the best muff yet?" is the one you haven't had yet.
 

Lowbassnotes

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Better copyrite that one quick, seeing how a lot of the younger crowd likes pedals with trashy names my guess is it'd sell like hotcakes.

Already got a Hairpie, that's far enough down that road for me.
 

BBill64

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$300.00 seems like a lot for a Big Muff clone.
If you want something remotely swank or hand made and you're in the UK, you're gonna be spending somewhere around that mark once the parcel reaches your front door.

I have two swank Muffs but I managed to get them cheap (which is why I have two)
 

2Stroke

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Fraid so

Long time reader, first time poster. With all due respect to 11 Guage, whom I greatly admire, I must enter the fray to leap to the defense of this pedal...yes, I suppose it's not a traditional EHX Muff, but as a confirmed muff tragic who has owned/played through a few in my time, including modern boutique variants with mid controls, I contend that Thorpy's Muff amounts to an evolution of the concept, with all the Muff sound but better control of the eq response...I played it recently against a variety of traditional and non-trad Muffs as well as a selection of boutique fuzzes and for my money (which I promptly handed over) it was a cut above. I am not given to talking to myself, but each time I turned the Muffroom Cloud off I exclaimed aloud 'That's f¥€£ing awesome...' - it really is the best Muff I've ever jacked, even if the non-trad eq setup allows for cleaning up with my guitar's volume pot, or for tuning the pedal to one's amp/tastes. A truly phenomenal box, to blazes with tradition...
 

boppy

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I'm not really getting a Muff vibe from this one.

Also, and in general, I don't care too much what a pedal looks like, but for that kind of $$$, you'd think more care would have gone into aesthetics...
 
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