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Poster Extraordinaire
Saint Vitus.If it isn't fast it isn't metal![]()
Saint Vitus.If it isn't fast it isn't metal![]()
If it isn't fast it isn't metalSaint Vitus.
Sabbath isn’t Metal?If it isn't fast it isn't metal![]()
Perhaps the tongue-in-cheekness was lost in translation to the digital world.Sabbath isn’t Metal?
Cool. For a second, I felt I was back on the yard in Grade 8.Perhaps the tongue-in-cheekness was lost in translation to the digital world.
Warning.If it isn't fast it isn't metal![]()
If it isn't fast it isn't metalWarning.
Dystopia.If it isn't fast it isn't metal![]()
If it isn't fast it isn't metalDystopia.
If it isn't fast it isn't metal![]()
I just wanted to point out that both Dave Murray and Janick Gers have been using SD Strat pickup-sized humbuckers for quite a few years now.Yeah, for NWBHM (Iron Maiden, Judas Priest, Def Leppard's 1st album) and upward (Speed, Thrash, Death, anything ending in "-core") I would definitely recommend humbuckers. Need that extra punch and body in the midrange.
Can confirm the SD Hot Rails bridge pickup for Strat is VERY hot. It ended up too hot for playing Classic, Garage, Punk and other ballsy genres. I’ve since replaced it with a SD Red Devil, supposedly a Pearly Gates in a sc pickup. Very smooth, yet also quite punchy with the right dirt. I was enjoying it at my last band practice.I just wanted to point out that both Dave Murray and Janick Gers have been using SD Strat pickup-sized humbuckers for quite a few years now.
I think Dave primarily uses Hot Rails while Janick uses JB Jrs.
Listening to newer IM vs. the old stuff with PAF-sized humbuckers, I can't really hear much of a difference. Maybe Adrian Smith has some rhythm bits that sound a bit punchier and fatter (and I know that he primarily uses a DiMarzio Super Distortion), but that's probably more attributed to his choice of amps.
Anyway, IMO, that whole 'galloping rhythm' that is kind of like an IM trademark at this point - it sounds fine with a Hot Rails or JB Jr. (and the right amp).
As someone who's had both a Hot Rails in a couple of Strats as well as a JB in the bridge position of a couple of HH guitars, I thought they were both very similar sounding.Can confirm the SD Hot Rails bridge pickup for Strat is VERY hot. It ended up too hot for playing Classic, Garage, Punk and other ballsy genres. I’ve since replaced it with a SD Red Devil, supposedly a Pearly Gates in a sc pickup. Very smooth, yet also quite punchy with the right dirt. I was enjoying it at my last band practice.
I find this interesting because I've also played both a ton and found them quite different in the mids.As someone who's had both a Hot Rails in a couple of Strats as well as a JB in the bridge position of a couple of HH guitars, I thought they were both very similar sounding.
I just don't think that the Hot Rails is very good for anything other than metal (personally), unless it's like the lead guitar fills (all that whammy stuff) in The Toadies Possum Kingdom, but then you can't get the crunchy rhythm guitar sound with it. Well, at least I couldn't/can't.
If we were to rewind things back to '84 or so when the Hot Rails came out, it's kind of a wonder that more of the metal guys who didn't want to cut up their Strats didn't end up using one. I guess by that point, the damage was already done, or switching to Charvel/Jackson/etc. didn't require it, as they came with something PAF-sized in the bridge by default.
You make a good point, and it's probably since I don't personally play much metal that I'm not very discerning between upper mids vs. more mids throughout.I find this interesting because I've also played both a ton and found them quite different in the mids.
The JB has the famous upper mid honk whereas I found the Hot Rails was simply more mids all over.
Maybe it's subtle, but depending on the metal genre the right mids can be make or break to good tone.