azureglo

TDPRI Member
Joined
Aug 30, 2020
Posts
78
Location
United Kingdom
I can spend up to 6-8 hours a day sat at this,

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with a guitar in my lap as I work through parts, loops, SFX et al , frequently crouching over to get to the control surface and keyboard(s). Teles are the perfect tracking guitars ( ask any Motown or Stax player) with lumpy bodies that dig into my ribs when reaching over them and a nice dent in my right foreman after a couple of hours…

So made a shopping list;
  • Stock 2 Pickup Tele layout with low output A2 pickups
  • Forearm and ribcage contours
  • Light, having an anchor on your right knee for hours is no fun
  • Reversed control layout, I use the volume a lot to dial in the perfect sound through assorted DIs, preamps & modellers
  • Classic Vibe 60s thin, glossy neck,
Build started last year over here,

Limba Contoured Telecaster

and here we are finally:

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Ultra light white Limba body means all up weight of 6lb 3oz…compare that to a standard back breaking pine log.

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Low profile bridge, makes palm muting far more comfortable,

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Fine sounding Tonerider Alnico 2, perfect for my studio/session work, I don’t chug ( guitars or beer), or shred out shrieking solos so just the job for me.

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Does this make a difference? Who knows, it looks impressive…

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Reversed controls plus simple three way toggle, pretty much my standard set up ( see here and here) so changing guitars during tracking doesn’t cause confusion.

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Rube Goldberg Gotoh rotating saddles, do they work? According to my Peterson strobe, yes, marginally.

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Custom cut pickguard goes some way to hide the gap caused by Strat neck,

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Interesting finish, auto 2 pack gloss went down super hard and glossy, after multiple coats of sanding sealer but the very porous White Limba means the grain is still very visible. Was going slather on more clear for that Far East entombed-in-gloss mirror finish but decided I like the “natural” look of this as it is. For now.

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As for the cosmetics, I grew up with the 70s with natural/stripped guitars phase and far prefer the look of simple, natural wood grain to gaudy solid colours, faked relics, blues lawyer grade AAAA flamed sunbursts etc. so equally happy with the aesthetic side. YMMV.

Despite my new obsession with this beastie,

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I’m mightily pleased with this, have used it on two jobs this week: a K-Pop soul style middle 8 and a funk loop for German producer : sounded and played faultlessly. This is now my main writing and tracking guitar and fits me like a glove.

As for the CV60s Strat neck, its profile and gloss of the 60s CV Strat/Tele neck that are the most important part of this guitar and I just happen to have more CV Strat than Tele necks currently and TBH, I much prefer the headstock shape of the Strat but it’s really all about the neck profile, thickness and finish: I rarely look at the headstock when I’m on a paying job (apart from tuning😊)…

Overall, my dream guitar turns out to be a very pleasurable reality, after a whole day of tracking, I barely noticed it had been on my lap for almost 6 hours…

And all together, my sit down, studio and session guitars that go from stock vintage tele to full on “rawk”, all with the same neck attributes : narrow/thin profile, scale length and gloss finish. Happiness.

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TBH I really should also have a Tele bridge with Strat neck pickup combo and preferably, Jerry Donahue switching but that would mean tracking down one of those fancy schmancy Mega switches like this…👿

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tintag27

Friend of Leo's
Joined
Jan 18, 2010
Posts
3,370
Location
Old England
Great job - that is a perfect workhorse, built for function, but undeniably a very stylish looking instrument.
The visible grain is gorgeous on that limba, and having replaced the standard pickups in my semi recently with Tonerider Rebel 90's, I can appreciate the pickup choice. Love the personal details too, like the control knobs...
 
Last edited:

Hodgo88

Tele-Afflicted
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Feb 10, 2021
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Eastern Oregon
My favorite part was where you went after blues lawyer AAAA flame sunbursts and then showed us your blues lawyer AAAA flamed sunburst pearloid Thinline immediately thereafter.
 

azureglo

TDPRI Member
Joined
Aug 30, 2020
Posts
78
Location
United Kingdom
My favorite part was where you went after blues lawyer AAAA flame sunbursts and then showed us your blues lawyer AAAA flamed sunburst pearloid Thinline immediately thereafter.

That " blues lawyer AAAA flamed sunburst pearloid Thinline" is a cheap Vintage V72 body with a thin maple veneer top, made in Vietnam that was a B stock reject I got for £200 and added a spare Squier Offset Tele neck plus inexpensive pickups to:

Thinline partscaster

Additional clue is the "Squier" logo on the headstock.

Ignorance and sarcasm are not superpowers.
 
Last edited:

Hodgo88

Tele-Afflicted
Ad Free Member
Joined
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Posts
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Location
Eastern Oregon
That " blues lawyer AAAA flamed sunburst pearloid Thinline" is a cheap Vintage V72 body with a thin maple veneer top, made in Vietnam that was a B stock reject I got for £200 and added a spare Squier Offset Tele neck plus inexpensive pickups to:

Thinline partscaster

Additional clue is the "Squier" logo on the headstock.

Ignorance and sarcasm are not superpowers.
I assure you, no ignorance or sarcasm intended here, I saw it was a Squier when I posted. I wrongly assumed you were talking about the aesthetics of a blues lawyer guitar, which that Squier is absolutely apeing.

It was all meant in good fun and if anything, was an attempt to highlight the absurdity of mocking others preferences in guitars.
 

azureglo

TDPRI Member
Joined
Aug 30, 2020
Posts
78
Location
United Kingdom
Can’t leave my first Tele build thread on TDPRI on such a sour note: Two weeks on its pretty much my main guitar for everything in the studio and live replacing the go-to-workhorse, my bought new in 1998 US Standard Tele.

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The neck profile and feel of the CV60s Strat neck is virtually identical to the glossy thin US item minus the rather deep amber tint. The big difference is the huge amount of comfort in the new one, compare the weights:

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Plus those lovely ergonomic ribcage and forearm contours make it a session players dream and joy to play standing up (which I did for one corporate gig last weekend).

Pickups are a different story: the Tonerider A2s are the perfect first-time-sit-in-the-mix sound as the lower output and lower treble response work perfectly with my all main "DIs" for Logic:

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The US Std. though has much more output that makes dialling in the perfect DI much trickier but may be just the thing for “chugging”” in your local bar. I’ve never used the tone control on it so it sits at the “no load” off position. And has done since 1998.

Plus this new A2 neck pickup positively loves my 1988 Polytone Minibrute, yes you do, you little vintagey snookum…

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A few of my session buddies who have tried it, are now pestering me to build them similar ones but apart from the body finishing, it’s a simple thing for them to do, may even help them overcome their morbid fear of soldering irons and screwdrivers.

So my takeaway: build your own, get what you want from the right neck shape to weight through to pickups, considering this cost less than £400 (which would barely get you a used Player) and less than 10 hours, it’s the bargain of the century for me at least.

Have this Deluxe coming up with again a CV60s Strat neck and low all up weight (1.7kg body) and some custom wound 12 pole A2 WHRBs from Creamery UK

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And finally this 1.8KG alder Strat (with, surprise! A CV60s neck, see a pattern yet?) but with 2x SS and a noise cancelling coil.

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This should complete my basic studio arsenal of lightweight low-medium output tracking/composing guitars for the mostly EDM Pop and K-Pop I work on these days.

That said I’ve recently tried a real vintage 1972 Tele Custom: the sound of the CuNiFe WHRB neck and bridge single coil together, was slightly magical for funk “chucking”. I’ve got a spare 60s CV Tele neck so might make that a spring project with the recent (exorbitantly priced) Fender CuNiFe reissues and something like a SD quarter pounder at the bridge. The actual ‘72 was of course a boat anchor at nearly 4.5kg/10lbs , replete with the uncontoured slab body and £7K price tag…

The last one is another recent test, where I went to Zurich with a local non playing collector (who also bought the ‘72 Custom) to test a 1951 Nocaster he was acquiring from a Swiss collector: It was light as this Limba one but the real magic was in the pickup selections that I’ve not used before ( I came to Teles in 1976 and they were wired as the same as my US Std., albeit with period correct depleted uranium bodies):

* Bridge + variable neck blend- no tone but I got some gorgeous soul/R&B tones with about 25-50% neck added playting through the vendors stock ’68 PRRI.

*The neck pickup on its own with ?pF cap was a thing of beauty, I was blissfully widdling my best Joe Pass bebop imitations without a care until the vendor gave me some stern looks as the buyer tried to negotiate a £20k discount on the £240K price…

So may try that pickup wiring as well, so many times I’ll have a track that just isn’t working and changing to a “different” guitar magically transforms it, even it’s a just few pre-chorus fills.

Oy, enough talk, I’ve got a middle 8 half time section to reassemble for my K-Pop overlords and then a “Gilmour” Strat that’s patiently waiting for assembly,

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and I really should do something with this:

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Later, Telenistas.
 
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