ASATKat
Poster Extraordinaire
I am amazed at how much people have to say about the CAGED chords but never connect it to progressions. For example,
Dm7 G7 Cmaj7, if the Dm7 is found on the 5th fret, the practical G7 would be found at the 3rd fret, and the Cmaj7 would also be found on the 3rd fret.
A shape. . . . . E shape. . . . . .A shape
------------------------------
-6------------3------------5
-5------------4------------4
-7------------3------------5
-5------------5------------3
---------------3--------------
It's about understanding that the CAGED shapes are being used as the chords come flying by.
Here's another one,
. . . . .E . . . . . .A. . . . . . C. . . . . D shapes
Cmaj7 Em7 Fmaj7 G
-------------------------------
-----8-------8-------5------8
-----9-------7-------5------7
-----9-------9-------7------5
--------------7-------8-------
-----8------------------------7
Hopefully you see value in this. Makes me feel good to pay it forward.
Dm7 G7 Cmaj7, if the Dm7 is found on the 5th fret, the practical G7 would be found at the 3rd fret, and the Cmaj7 would also be found on the 3rd fret.
A shape. . . . . E shape. . . . . .A shape
------------------------------
-6------------3------------5
-5------------4------------4
-7------------3------------5
-5------------5------------3
---------------3--------------
It's about understanding that the CAGED shapes are being used as the chords come flying by.
Here's another one,
. . . . .E . . . . . .A. . . . . . C. . . . . D shapes
Cmaj7 Em7 Fmaj7 G
-------------------------------
-----8-------8-------5------8
-----9-------7-------5------7
-----9-------9-------7------5
--------------7-------8-------
-----8------------------------7
Hopefully you see value in this. Makes me feel good to pay it forward.