well, he did grow up with his mum pretending to be his sister.A lot harder??? 100% b.s.![]()
That would make a guy wonder.
well, he did grow up with his mum pretending to be his sister.A lot harder??? 100% b.s.![]()
What????
Townshend also played SG’s, which are lighter than Teles.I’m pretty sure that I saw an interview where either Clapton or Pete Townshend said that a big part of the switch to Strats was that they are lighter and easier to play than a Les Paul. In fact, Gibson came out with a Townshend signature Les Paul a few years back and Pete played it for about half a song at a show before switching back to his Strat. I’m pretty sure that he plays a Clapton Signature Strat himself, or at least he did.
100% agree. The mid-boost is nice, but it's nowhere close to the humbucker "woman tone". I think that's why his tone in the late-80's started sounding obnoxious (to me); he went back to heavier overdrive for his solos but it was a strat and lacked the punch, sounding more nasally.I believe Clapton's Strat works for some songs... but, others fall a little short of "girth."
As we know, humbuckers have a "Creamier" (pun intended) and naturally thicker tone to em.
A single coil, Strat, neck pu, is just going to fall short of that hb tone.
Even with the mid boost.
Especially, at achieving the "woman tone" he was noted for, at that time.
Some of those Cream classics require that "woman tone."
I dont believe a Strat is capable of getting that exact tone.
imo.
Yeah, I didn't want to say anything, but....What????
What the heck?!well, he did grow up with his mum pretending to be his sister.
That would make a guy wonder.
100% agree. The mid-boost is nice, but it's nowhere close to the humbucker "woman tone". I think that's why his tone in the late-80's started sounding obnoxious (to me); he went back to heavier overdrive for his solos but it was a strat and lacked the punch, sounding more nasally.
I feel he's earned it, in many different repectsPoor Eric.
He gave us so much, and he takes a lot of, uh, abuse.
Just theoretical but what if your mom didn’t want to be known as YOUR mom?What the heck?!Well, yeah that would confuse things a bit, but if she "self-identified" as his sister, who is he to argue?
So, you’ve lived a perfectly exemplary life?I feel he's earned it, in many different repects
The fact is, we often give a pass to the artists whose work we enjoy, and besmirch the inevitable failings of artists whose work we do not like.So, you’ve lived a perfectly exemplary life?
I haven’t.
Indeed, amigo.The fact is, we often give a pass to the artists whose work we enjoy, and besmirch the inevitable failings of artists whose work we do not like.
I don't like Clapton's work, as a whole it bores me, generally. So I feel comfortable calling him out on his failings, much in the manner you are towards Jerry Lee Lewis (RIP)
we humans are funny things, yes?
I think much of the "abuse" is probably just people not sure why he reached the status that he has based on what they are hearing. For a long time I was one of those people; but listening to his older stuff (Cream, Bluesbreakers, etc.) pretty much solved that mystery for me. His playing had a definite aggression and almost angry style to it that I think connected with a lot of people. That's where his status came from. Then it seemed he did everything in his power to step away from that, which worked out well career-wise, but also left a lot of people feeling "blah" about his playing. But even when he went to the strat his playing was (is) still quite good, but lacks the fire of the early stuff.Poor Eric.
He gave us so much, and he takes a lot of, uh, abuse.
There’s no other guitarist/singer who touches his output, versatility, and longevity, IMO.
I don't know but I'm sure there's a legal way for her to self-identify as my dad, or my golden retriever, or whatever.Just theoretical but what if your mom didn’t want to be known as YOUR mom?
How would it affect you?
It's weird, I'm a Gen-X'er and as such, my love for early rock n roll really makes zero sense, demographically, but it makes total sense to me personally, and I actually have a hard time understanding why everyone else doesn't view things the same way.My disdain for much of the early rock n’ roll you champion is perhaps largely generational.
Just theoretical but what if your mom didn’t want to be known as YOUR mom?
How would it affect you?
So, you’ve lived a perfectly exemplary life?
I haven’t.
Maybe just me.....but I hope by accepting that my musical heroes are, for the most part, human beings.....with the flaws that we all have to one degree or another, doesn't mean I'm "giving a pass" for their behavior.The fact is, we often give a pass to the artists whose work we enjoy, and besmirch the inevitable failings of artists whose work we do not like.
I don't like Clapton's work, as a whole it bores me, generally. So I feel comfortable calling him out on his failings, much in the manner you are towards Jerry Lee Lewis (RIP)
we humans are funny things, yes?
It's cool that there are varied things out there from which to choose from
I read that too somewhere . Maybe it was just that room? I don’t know ,I heard a interview with Clapton saying that for the first rehearsals got the reunion him and Bruce brought in their Gibson bass and guitar’s with Marshall stacks and it just didn’t work. That said I always will like Clapton better with humbucker pickups.
THIS. They are all already fairly old at that point, Not just guitar but vocal and attitude are different. White room was in his 20's. I also think that's more his attitude in general later on, on purpose.
Clapton still played his Gibsons a bit in concert in the later 90's. The old 335 sounded wonderful.