Jerry garrcia
Tele-Holic
So this has been a crazy year.
A year ago I didn’t know jack about amps. Had my old Peavey classic 30 since ~30 years after a career in post rock, punk, lofi and dub.
The 17 y/o son played a lot of trad jazz and the Peavey was too loud for the apartment. Got me an attenuator but had to bring it to a tech due to the speaker wires was soldered to the speaker.
Then he didn’t like the tone it produced after the attenuator and was about to spend all his savings to buy a new Champ. Crazy expensive with listing price $1500 in Sweden.
That’s when it all went down hill…
So I bought a 5F1 kit from a great seller in Sweden, Nordström audio.
Built that but not my bag to just put something together.
So asked the boy what his dram amp would be. He couldn’t decide between a GA-20/30/40 or a 5E3. Started to look at the prices
. Posted a thread on shock brothers if it was possible to build a combined 6SJ7 amp and a 5E3. A lot of laughs and impossible comments.
Then @printer2 came a long, and changed my life, with a draft and do to my total lack of knowledge in electronics (an anaesthetist and ICU physician). I got help with the layout and started to build. @andrewRneumann got in touch since he noticed a layout problem and both Andrew and Printer guided me through the build to a great amp.
Then I got hooked on the octal tubes and thought that the son needed a bedroom amp. So @printer2 once again helped me with a schematic (could hardly understand 10% of it) for a 5C1/5F1 amp with reverb. The son only played the pentode channel.
Deeper in the rabbit hole I went.
I had some spare 6SC7 tubes (used as paraphrase PI in the 6SJ7 + 5B3 deluxe). Why not build a two channel 5W amp with one triode channel and one pentode and add a tone stack and a common gain stage??? Built that.
But they were still a bit to loud. So found @robrob micro champ. Since I’m an octal guy I made that with 6SL7+6SN7.
But wait Charlie Christian had such an amazing tone and an early guitar god. Had to build me an EH-185. Once again @printer2 dragged me deeper in the hole. Why not use a 6SC7 instead of two 6SQ7’s, and add a reverb
. Well did that and it’s probably my least liked amp. It lacks an oumph and to quiet in the instrument channel. Mic ok but so and so over all. Maybe better with a field coil.
There is something special about Class A amps I think but wouldn’t it be better if one could make them louder to be able to gig with them at a small venue? So built me an octal Class A with a 6L6. Still modding it since the 6SK7 that @mountainhick or @NTC tricked me into use as a driver. Now a 6SQ7 in that position and will hopefully try it today. Can never say no if there is something different. Got an enormous amount of help from @2L man who also guided me into the load line area.
Built a two scrap build 5F1’s as Christmas gifts to some friends out of wine boxes and old radios.
Needed to learn PTP so just built a scratch build GA-5 Les Paul.
Amp wise this has been a really productive year. Also built a T-style and a 6 string cigar box guitar.
Probably the most fun I’ve had in a long time. Started to reevaluate my life and changed jobs to get more spare time and will attend a welding course in a couple of weeks.
Our apartment basement is stuffed with old transformers, PA heads, speakers and old projectors for future builds.
My wife ain’t so happy since all my previous books by the bed have all been changed to books about electronic and data sheets.
So that’s 2022 for me. Will soon post a gallery of this year’s builds, pictures, schematics and movies with sound clips from all the amps.
The only thing I regret is that I didn’t start with heads instead of combos. In retrospect, due to my obsession, it would have been a much better way. Will have to build (tough job if one lives in an apartment in the city) and tolex a 10”, 12” and a 15” cab and a couple of heads that will fit the builds.
So we’ll se what 2023 brings? Have enough stuff for 10-15 amps. Might have to sell a few.
Another fun thing is that men are now allowed in synchronised swimming in the Olympics in Paris 2024 so hopefully you’ll see me

A year ago I didn’t know jack about amps. Had my old Peavey classic 30 since ~30 years after a career in post rock, punk, lofi and dub.
The 17 y/o son played a lot of trad jazz and the Peavey was too loud for the apartment. Got me an attenuator but had to bring it to a tech due to the speaker wires was soldered to the speaker.
Then he didn’t like the tone it produced after the attenuator and was about to spend all his savings to buy a new Champ. Crazy expensive with listing price $1500 in Sweden.
That’s when it all went down hill…
So I bought a 5F1 kit from a great seller in Sweden, Nordström audio.
Built that but not my bag to just put something together.
So asked the boy what his dram amp would be. He couldn’t decide between a GA-20/30/40 or a 5E3. Started to look at the prices

Then @printer2 came a long, and changed my life, with a draft and do to my total lack of knowledge in electronics (an anaesthetist and ICU physician). I got help with the layout and started to build. @andrewRneumann got in touch since he noticed a layout problem and both Andrew and Printer guided me through the build to a great amp.
Then I got hooked on the octal tubes and thought that the son needed a bedroom amp. So @printer2 once again helped me with a schematic (could hardly understand 10% of it) for a 5C1/5F1 amp with reverb. The son only played the pentode channel.
Deeper in the rabbit hole I went.
I had some spare 6SC7 tubes (used as paraphrase PI in the 6SJ7 + 5B3 deluxe). Why not build a two channel 5W amp with one triode channel and one pentode and add a tone stack and a common gain stage??? Built that.
But they were still a bit to loud. So found @robrob micro champ. Since I’m an octal guy I made that with 6SL7+6SN7.
But wait Charlie Christian had such an amazing tone and an early guitar god. Had to build me an EH-185. Once again @printer2 dragged me deeper in the hole. Why not use a 6SC7 instead of two 6SQ7’s, and add a reverb

There is something special about Class A amps I think but wouldn’t it be better if one could make them louder to be able to gig with them at a small venue? So built me an octal Class A with a 6L6. Still modding it since the 6SK7 that @mountainhick or @NTC tricked me into use as a driver. Now a 6SQ7 in that position and will hopefully try it today. Can never say no if there is something different. Got an enormous amount of help from @2L man who also guided me into the load line area.
Built a two scrap build 5F1’s as Christmas gifts to some friends out of wine boxes and old radios.
Needed to learn PTP so just built a scratch build GA-5 Les Paul.
Amp wise this has been a really productive year. Also built a T-style and a 6 string cigar box guitar.
Probably the most fun I’ve had in a long time. Started to reevaluate my life and changed jobs to get more spare time and will attend a welding course in a couple of weeks.
Our apartment basement is stuffed with old transformers, PA heads, speakers and old projectors for future builds.
My wife ain’t so happy since all my previous books by the bed have all been changed to books about electronic and data sheets.
So that’s 2022 for me. Will soon post a gallery of this year’s builds, pictures, schematics and movies with sound clips from all the amps.
The only thing I regret is that I didn’t start with heads instead of combos. In retrospect, due to my obsession, it would have been a much better way. Will have to build (tough job if one lives in an apartment in the city) and tolex a 10”, 12” and a 15” cab and a couple of heads that will fit the builds.
So we’ll se what 2023 brings? Have enough stuff for 10-15 amps. Might have to sell a few.
Another fun thing is that men are now allowed in synchronised swimming in the Olympics in Paris 2024 so hopefully you’ll see me

