1980 for me was a brief time of singlehood. Divorcing, moping, living in an upstairs hovel apartment in town, I had a job within walking distance, working at a sheltered workshop for retarded adults (most of whom had recently lived in the state mental hospital in Salem, sent into communities to group homes instead), a truly awesome job for me at the time: load up the van, go swimming, play basketball; train and supervise clients working in the recycling, macrame manufacturing, or rug-weaving operations. I really enjoyed that job.
Anyway, that job sent me with other staff and a van full of clients to the Special Olympics in Eugene. The whole idea of our job was to help "normalize" the adults in our charge, who had lived in mental institutions most of their lives. Dressing appropriately, conversing, rules of the road. . .at the Special Olympics we line them up in lanes at Hayward Field, fire 'em off, shout 'em stumbling or staggering across the finish line, then hug 'em and give 'em a medal, which they'll refuse to stop wearing at work and around town for the next six months. Oh well, the Special Olympics draws lots of support from the general public, and the Who's Who was present. I met two famous people there that day. I shook hands with Senator Edward Kennedy of Massachusetts, a Special Olympics bigwig, and I played hot-hand with Ken Kesey! I got him two or three times, but he pretty well burned me up.
That's not what I meant to write about, but I had to, sorry. I was going to write about the book I'm reading now--that got me started on Kesey--and I got to thinking that when I choose books, it's the author I'm choosing really, more than the particular story. When I find an author I like, I read more of ther books and kind of study their thought, style, and development, as well as finding about ther life. That habit grew in the course of my teaching career. I didn't do that with Kesey. I think by the time we played hot-hand, I had read One Flew Over the Cuckoo's Nest, as had everyone else who read books at all, and some time later, I forget when, I read his bigger, better book, Sometimes a Great Notion. In my later reading, when I started to pay greater attention to authors, I guess I viewed Kesey as a one-hit wonder (well, two hits). Then he died.
(Hang on, Jack, the son of a gun is comin'. . .)
Whew! Sorry, after that first paragraph I fingerfumbled somehow and posted when I was just getting started.
So now you know what I'm here to write about, unless you gave up trying and put me back on your ignore list. I did like Kesey. I'd "taught" Cuckoo's Nest in English several times, and used him as topic for kids' required research, writing, and speech/presentation assignments. Long ago, too, I'd read Tom Wolfe's Electric Kool-Aid Acid Test, which is pretty much a Kesey biography, or at least a cultural travelogue featuring Kesey and his famous bus. Anyway, browsing the bookstore for my next read, the subtle cover design caught my eye, and I thought I'd try another title of his.
I haven't finished the book yet, but it wasn't the story I was going to write about anyway, it was the writer. Merry Prankster though he was, Ken Kesey was a powerful and highly trained writer (after his U of O wrestling career he had a graduate fellowship at Stanford, studying writing under the great Wallace Stegner). In this story about a bunch of derelict fishermen in Alaska Kesey's realism is tight, you can see the characters and their surroundings, hear them too, but somehow things are dripping a little around the edges, sometimes sort of glowing strangely, and while the story is clearly a comedy it skims over deep tragic oceans and bays of philosophy and warning.
I'm glad I chose this book. The boy can write. And he's very good at hot-hand.
Anyway, that job sent me with other staff and a van full of clients to the Special Olympics in Eugene. The whole idea of our job was to help "normalize" the adults in our charge, who had lived in mental institutions most of their lives. Dressing appropriately, conversing, rules of the road. . .at the Special Olympics we line them up in lanes at Hayward Field, fire 'em off, shout 'em stumbling or staggering across the finish line, then hug 'em and give 'em a medal, which they'll refuse to stop wearing at work and around town for the next six months. Oh well, the Special Olympics draws lots of support from the general public, and the Who's Who was present. I met two famous people there that day. I shook hands with Senator Edward Kennedy of Massachusetts, a Special Olympics bigwig, and I played hot-hand with Ken Kesey! I got him two or three times, but he pretty well burned me up.
That's not what I meant to write about, but I had to, sorry. I was going to write about the book I'm reading now--that got me started on Kesey--and I got to thinking that when I choose books, it's the author I'm choosing really, more than the particular story. When I find an author I like, I read more of ther books and kind of study their thought, style, and development, as well as finding about ther life. That habit grew in the course of my teaching career. I didn't do that with Kesey. I think by the time we played hot-hand, I had read One Flew Over the Cuckoo's Nest, as had everyone else who read books at all, and some time later, I forget when, I read his bigger, better book, Sometimes a Great Notion. In my later reading, when I started to pay greater attention to authors, I guess I viewed Kesey as a one-hit wonder (well, two hits). Then he died.
(Hang on, Jack, the son of a gun is comin'. . .)
Whew! Sorry, after that first paragraph I fingerfumbled somehow and posted when I was just getting started.
So now you know what I'm here to write about, unless you gave up trying and put me back on your ignore list. I did like Kesey. I'd "taught" Cuckoo's Nest in English several times, and used him as topic for kids' required research, writing, and speech/presentation assignments. Long ago, too, I'd read Tom Wolfe's Electric Kool-Aid Acid Test, which is pretty much a Kesey biography, or at least a cultural travelogue featuring Kesey and his famous bus. Anyway, browsing the bookstore for my next read, the subtle cover design caught my eye, and I thought I'd try another title of his.
I haven't finished the book yet, but it wasn't the story I was going to write about anyway, it was the writer. Merry Prankster though he was, Ken Kesey was a powerful and highly trained writer (after his U of O wrestling career he had a graduate fellowship at Stanford, studying writing under the great Wallace Stegner). In this story about a bunch of derelict fishermen in Alaska Kesey's realism is tight, you can see the characters and their surroundings, hear them too, but somehow things are dripping a little around the edges, sometimes sort of glowing strangely, and while the story is clearly a comedy it skims over deep tragic oceans and bays of philosophy and warning.
I'm glad I chose this book. The boy can write. And he's very good at hot-hand.
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