LOL - it's the exact same preamp! They sound very similar clean if you put them in the same speaker.But neither is anything like a Cathode bias single tube Champ.
many Fender preamp circuits are very similar. But to my ears, and I have them both here, a Champ and a Princeton are vastly different sounding.LOL - it's the exact same preamp! They sound very similar clean if you put them in the same speaker.
many Fender preamp circuits are very similar. But to my ears, and I have them both here, a Champ and a Princeton are vastly different sounding.
I will add that IF a BF/SF Champ is biased…by resistance or by tube selection…at 14 watts off heat dissipation which is 100% of plate dissipation, it will sound a great deal like the two gain stage preamp of the non-verb Princeton…or any Normal channel of a two channel BF/SF guitar amp….very clean. If the bias is running where a 470 ohm bias resistor would put any 6V6 except the very coldest tube one could find, then that 16-18 watts of heat dissipation on the plates makes the Bf/SF Champ become hotter…and the Champ then does what those P/P fixed biased amps won’t do….get real hot and nasty If pushed. The best sounding BF/SF Champ I have heard is one I owned, it had its OEM 6V6 and was running about 140% of max plate dissipation….20 watts of plate dissipation. Amazing sounding amp. out of curiosity, I went in steps of resistance for the bias resistor down to 14.7 watts of dissipation. At that point, it was sterile. I put the original 470 ohm back in….and Voila…magnificent rich cleans and eager overdrive.Pointless argument. The non-reverb is a PP version of the Champ, that's what I meant. The reverb version is not, and it has components that actually change the clean tonal response wrt to the non reverb.
So basically since I also have a SF Champ, I don't really need a non verb Princeton to fit in between the Champ and the 68 Custom for just playing at home.
So basically since I also have a SF Champ, I don't really need a non verb Princeton to fit in between the Champ and the 68 Custom for just playing at home.
If your home playing is always at low volumes and you just want clean, maybe not, close enough. If you ever turn up the volume and want clean, tho, you'll find neither your SF Champ nor your '68 CPR can stay as clean as a standard AA1164 PR, much less as clean as a non-verb AA964 Princeton. Bunch o' reasons (SE vs. PP, bias methods, gain, tone stack differences, CPR mods). But yeah, most folks who love the AA964 especially like the way it *stays* clean. Another link; this one discusses BF/SF Champ vs. PR vs. non-verb Princeton.
https://www.thegearpage.net/board/index.php?threads/fender-champ-vs-princeton.1633650/
I agree with all of this. I’ve owned both reverb and non-reverb Princetons, as well as Champs, and there's a big difference between the reverb and non reverb models. Monumental difference between the non-verb Princeton and a Champ - you can't even compare them except on a superficial level. They look similar, have familial similarities in the tone, but Champs sound small and thin in comparison, especially at clean volumes, and lack the depth of the Princetons, and I like Champs. In my experience, he non-reverb Princeton has somewhat tighter lows than the reverb model. It doesn’t flub out, even with the volume up and a boost pedal to match the input gain of the reverb model. Because of this, it’s a more versatile amp for me - in the studio, turning up an amp to overdrive is no problem, but on stage, I find it easier to control overdrive when it’s coming from a pedal, so I'll pick the amp with more headroom just about every time. Without a boost of some type, the Princeton Amp is simply quieter - 6-7 on the volume knob is equal to about 4 on the Princeton Reverb, but both amps have the same power section. The non-verb can get just as loud, it just needs some help on the preamp side. But like I said, even with the boost, it really doesn't break up much until you really have it cranked, and then it's just a bit of hair. More definition to the notes. It's a perfect amp for country and jazz for this reason - I've played mine at a lot of outdoor gigs and have never had a problem with stage volume.If your home playing is always at low volumes and you just want clean, maybe not, close enough. If you ever turn up the volume and want clean, tho, you'll find neither your SF Champ nor your '68 CPR can stay as clean as a standard AA1164 PR, much less as clean as a non-verb AA964 Princeton. Bunch o' reasons (SE vs. PP, bias methods, gain, tone stack differences, CPR mods). But yeah, most folks who love the AA964 especially like the way it *stays* clean. Another link; this one discusses BF/SF Champ vs. PR vs. non-verb Princeton.
https://www.thegearpage.net/board/index.php?threads/fender-champ-vs-princeton.1633650/
Exactly like mine. Very clean.My (silver face, dunno what year) Princeton Non-Reverb stays pretty clean up the dial.
It has a little bit of grit as you get up there but doesn't start distorting the way my
bother's PRRI ('65) or my several ~champ builds do as you really get on the vol.
but that Push-pull changes, oh, almost everything . . .Pointless argument. The non-reverb is a PP version of the Champ, that's what I meant. The reverb version is not, and it has components that actually change the clean tonal response wrt to the non reverb.