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Doctor of Teleocity
The Cramps were an American rock band formed in 1976 and active until 2006. The band split after the death of lead singer Lux Interior in 2009. Their line-up rotated frequently during their existence, with the husband-and-wife duo of Interior and lead guitarist and occasional bass guitarist Poison Ivy comprising the only ever-present members. The addition of guitarist Bryan Gregory and drummer Pam Balam resulted in the first complete lineup in April 1976.
Today, honors a woman who conquered the male dominated rock n’ roll world with her air of fearless originality. Her unique sense of style—both within her on-stage outfit choices, and her inimitable guitar playing—has made her a larger-than-life fashion, music, and cultural icon. Poison Ivy Rorschach, the red headed, latex clad, Gretsch … touting gunslinger from out of a modulated creation of striking and unusual guitar approaches. Her use of vibrato, reverb and some of the angriest fuzz tones that I have ever heard.
Poison Ivy and Lux created a dimension which feed on the good-taste of America asperations.
Juvenile delinquent driven American trash culture monster B movies, porno-excentric-erotic lyrics ,suggestive and naughty and nice while bringing a load of humour érotique that you can dance too. Bad Music for Bad People really shows what she has to offer early in the band career.
I like the way she comes up wit guitar parts that fit the songs, that I have never thought of while playing basic chord progressions. She brings to the mix a guitar sound that compliments Lux's narrative.
I think of them as the Goffin and King of Psycho Billy writers.
Today, honors a woman who conquered the male dominated rock n’ roll world with her air of fearless originality. Her unique sense of style—both within her on-stage outfit choices, and her inimitable guitar playing—has made her a larger-than-life fashion, music, and cultural icon. Poison Ivy Rorschach, the red headed, latex clad, Gretsch … touting gunslinger from out of a modulated creation of striking and unusual guitar approaches. Her use of vibrato, reverb and some of the angriest fuzz tones that I have ever heard.
Poison Ivy and Lux created a dimension which feed on the good-taste of America asperations.
Juvenile delinquent driven American trash culture monster B movies, porno-excentric-erotic lyrics ,suggestive and naughty and nice while bringing a load of humour érotique that you can dance too. Bad Music for Bad People really shows what she has to offer early in the band career.
I like the way she comes up wit guitar parts that fit the songs, that I have never thought of while playing basic chord progressions. She brings to the mix a guitar sound that compliments Lux's narrative.
I think of them as the Goffin and King of Psycho Billy writers.
