I loved the sound of phase shifting on Hendrix-type records. But when I bought an MXR Phase 90 in the 70s, I used it so much that I eventually couldn't stand the sound of them.
A while ago, I found a YouTube video of Albert King playing through a phase pedal, and it sucked. It was a very late recording. I also came across a video of Roy Buchanan using one onstage with Lonnie Mack and others. It sucked, too, I thought. I suppose I could mention Buddy Guy's use of a Leslie speaker on Junior Wells' Hoo Doo Man record. Guy expected an amp to be there in the studio at Chess, the day of the recording. An engineer wired up a Leslie for him to use. One of my least favorite blues guitar sounds. Clapton and Harrison used the Leslie much more musically, but I imagine it took a lot of time to get a good sound out of it.
For my studios at school, I bought a Leslie pedal, which I thought the students would find interesting. But, as it happens, I'm still trying it out at home. I generally don't use pedals much at all, except for reverb and/or delay. When I plugged this sucker in, I got a pretty nice sound, after a lot of experimentation. I liked the way certain notes spoke in a quasi-human way. I kept liking it, so did an experiment. I decided to keep it on at home until I got tired of it. Surprisingly, this hasn't happened yet, and I am going on two months. If I have a good amp, I find that I can enjoy playing with almost any kind of knob settings. These give me new ways to explore sound via guitar. That's exactly the same kind of mode that I am in right now.
I doubt that I would even take this to a gig, for fear that a less generous listener would find it cheesy. But at home, I am the boss of cheese.
Similar experiences, anyone?
A while ago, I found a YouTube video of Albert King playing through a phase pedal, and it sucked. It was a very late recording. I also came across a video of Roy Buchanan using one onstage with Lonnie Mack and others. It sucked, too, I thought. I suppose I could mention Buddy Guy's use of a Leslie speaker on Junior Wells' Hoo Doo Man record. Guy expected an amp to be there in the studio at Chess, the day of the recording. An engineer wired up a Leslie for him to use. One of my least favorite blues guitar sounds. Clapton and Harrison used the Leslie much more musically, but I imagine it took a lot of time to get a good sound out of it.
For my studios at school, I bought a Leslie pedal, which I thought the students would find interesting. But, as it happens, I'm still trying it out at home. I generally don't use pedals much at all, except for reverb and/or delay. When I plugged this sucker in, I got a pretty nice sound, after a lot of experimentation. I liked the way certain notes spoke in a quasi-human way. I kept liking it, so did an experiment. I decided to keep it on at home until I got tired of it. Surprisingly, this hasn't happened yet, and I am going on two months. If I have a good amp, I find that I can enjoy playing with almost any kind of knob settings. These give me new ways to explore sound via guitar. That's exactly the same kind of mode that I am in right now.
I doubt that I would even take this to a gig, for fear that a less generous listener would find it cheesy. But at home, I am the boss of cheese.
Similar experiences, anyone?
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