burntfrijoles
Poster Extraordinaire
A limited edition Southern Jumbo that I purchased in 2016 from Wildwood .
I think this one is special. I never thought I’d sell the J-185 because it was my favorite acoustic of all time but I rarely played after I got the Southern Jumbo.Southerner Jumbos can be very special.
I think this one is special. I never thought I’d sell the J-185 because it was my favorite acoustic of all time but I rarely played after I got the Southern Jumbo.
I parted with my '56 SJ because it was back in the day when I had no choice if I wanted something else. It actually all finally paid off though as that SJ was the founder of the feast which eventually placed a 1932 12 fret L1 in my hands. These days though as I am far better heeled then I used to be that SJ never would have left my hands. That guitar remains the only Gibson which still haunts me.I think this one is special. I never thought I’d sell the J-185 because it was my favorite acoustic of all time but I rarely played after I got the Southern Jumbo.
It is probably one of 2 guitars that I somewhat regret selling. The shorter scale made it a breeze to play. The maple back gave it a clarity that I really like and was great for recording. Plus it was gorgeous. C’est la vieSweet looking guitar, but it hurts to think of that 185 going. I let my J -185 go too, and have since regretted it.
As I said I regret letting my '56 SJ go. In over half a century, I have only owned two six string Gibsons which had something about them which set them apart from the crowd one of which was the SJ. This particular guitar had a noticeably quick low end decay which left the mid and treble fundamentals to jump out. It had the most saturated mids I have heard on a Gibson. This SJ actually acquired a local reputation to where I used to get calls from a local music shop to bring it down for some head cutting.It is probably one of 2 guitars that I somewhat regret selling. The shorter scale made it a breeze to play. The maple back gave it a clarity that I really like and was great for recording. Plus it was gorgeous. C’est la vie
I do like the short scale too, got use to it with my tripple 0 28, and I guess the 00-15 before that. And now the old LG2 I guess. Yeah, I have to stop thinking about it or makes me want to sit alone in the dark and wither.It is probably one of 2 guitars that I somewhat regret selling. The shorter scale made it a breeze to play. The maple back gave it a clarity that I really like and was great for recording. Plus it was gorgeous. C’est la vie
I also have a Martin HD-28V that covers Rosewood territory for me, but I’d sure like to try out an Advanced Jumbo someday.