itstooloudMike
Tele-Meister
That’s funny. But I thought about it.Next time say, "It would be even better if you played the right chords!"
That’s funny. But I thought about it.Next time say, "It would be even better if you played the right chords!"
If the rest is quite good, you should maybe join up and start working those small issues as it goes along. It's hard to find good singers and people who are near or ready for getting gigs.They do use iPads, but with there own song sheets. They sent me their song sheet to “If it Hadn’t Been for Love” by the Steeldrivers. At the end of the chorus, there is a place where it goes from Am to F, then quickly F to E, and back to Am. But they are playing it Am, F, Am, E, Am. If you don’t lead into the E from F, it just doesn’t sound right. I’m a big fan of Chris Stapleton (who wrote this one), and I think these subtle nuances make a difference. Am I being too picky?
I would say that just about everyone will know songs from 1963-1973, unless the band is playing deep cuts....Playing music that's 50 to 60 years old, not many people in the audience are going to know the songs anyway ......
right. After 25 years not gigging, it's very surprising that he knows the arrangements better than they do, and if he does in fact know the songs better so far, then eventually he's going to have to play some that he doesn't remember as well. At that time he's going to appreciate it if they are patient with him. You quit this band because they are missing a few chords, and you may find the next group of guys aren't as patient with a 71 year old fellow that hasn't gigged in 25 years.After 25 years of not gigging... why not just go with the flow.
This is insane to me. Who among us hasn't played a part incorrectly for a while (years maybe!) before being shown (or noticing on your own) the correct way? I know I sure have. I can't envision not being excited about, let alone just being open to, learning the little extra thing to make it better.
that's surpring because I'm not sure the Dead was ever concerned about doing a song exactly the same way one time to anotherThe Dead did a lot of covers. I was listening to a Podcast where they mentioned how Bob Weir played or sang this one song a certain way and someone must have said something to him and he never did it wrong after that point.
I think it might have been the lyrics. I don't recall the details now.that's surpring because I'm not sure the Dead was ever concerned about doing a song exactly the same way one time to another
I was just kind of joking anywayI think it might have been the lyrics. I don't recall the details now.
Ha ha. I've become quite the afficiando over the past several years. I think on the web people think they are just randomly jamming away. It's not true, you'll hear a jam but then a hint, a tease, and know what's coming next. So there's enough regularity in the songs. It's usually only audio so I don't know how other than the leading notes they'd signal each other.I was just kind of joking anyway
I left a band fairly quickly when it became obvious that they were half-a$$ing every song and that they were incapable of doing it right and didn't want to hear about it.Yeah this would bother me a lot, for two reasons. One, if they weren't good enough as musicians to learn the song right, and two, if they are incapable or unwilling to play the song right when the correct chords are presented to them. Doing a cover song "your way" with your own arrangement is one thing but doing it half-a$$ed because you're incapable or unwilling to play it right is quite another.
Good Luck.
a bandI left a band fairly quickly when it became obvious that they were half-a$$ing every song .
If Earl Scruggs couldn't get Lester Flat to play an e minor instead of major in Foggy Mountain Breakdown, well...
There are not enough likes for this response, in fact I like changing it up and have been doing it that way for years. A situation like that is what I call opportunity. I've always had the ability to adapt.. or go home.Clapton played Layla all wrong acoustically….wasn't anything like the original…..but I abhor the note for note robot mind set…..one can keep the vibe of the original while still being creative…..if your not being creative whats the point….just play the cd…..let the flames begin…lol.
Very. Mostly I managed to avoid bands that didn't take craftsmanship seriously, and I've been lucky enough to have been asked to join bands that were pretty solid.a band
Only 1? Then you've been lucky.
Well, after not gigging with a band for 25 years, I auditioned for a lead guitar slot a couple days ago. Seemed like a good fit from their posting. These three guys all sing well, and play bass, rhythm guitar, and drums. They’re all retired (like me), and play 60s and 70s rock. My thinking was, how can this not be a good fit. They have been working together for about a year, and have developed a set list of about 30 songs. But at the audition rehearsal I noticed that on many of their songs, they aren’t playing the correct chords. These are songs I know pretty well. A couple of times, I mentioned that they were playing the song unlike the original, and showed them the correct chord progression. But they didn’t seem open to “re-learn” their song list, and just wanted me to adapt to their way. I’m struggling with this concept. I hate playing something wrong. Some songs it wouldn’t make much difference, but others just sound bad the way they are playing them. What should I do? Just learn their “adjusted” versions, try to get them to change, or pass on the band entirely. I may never find another band of guys my age who still want to perform. I’m really torn about this. Need advice.