maxvintage
Poster Extraordinaire
New to me, bought used in Mint condition on Reverb
You probably know what this is: A 50 watt Class D power amp with a tube preamp using one 12AX7
Positives
Really great sound
small size
light
has onboard verb and trem
cab sim
headphone
XLR out
Cons:
Pricey
Underpowered for really loud clean
no effects loop
Not as reactive as an all-tube amp
So I got this, maybe out of boredom or restlessness as much as anything else. I'm not a tube snob at all, thoguh I have a great sounding Pro Junior I put in a 1/12 cab. I had been playing at home using a Yamaha THR30II, which sounds good but I mostly play clean with a small amount of "hair," think Kenny Burrell on Midnight Blue. It had a bunch of stuff I really ever use and it's not really loud enough in the event I ever go back to gigging. OK enough self justification.
First impression is that it was very dark. I ran it into a Henricksen sealed cab ten rated for 100 watts, then into a ten inch pro junior cab with the stock fender speaker, and then into a 12 inch cab with a 12 inch weber alnico, I think a 12150. They all seemed dark with bass and treble at "noon."
But the Eq controls are very powerful, and you can easily tame the bass with a very small adjustment on the bass control. Small adjustments to either make a big difference. You can nail a black face deluxe sound if you boost bass and treble.
The Volume knob adjusts the gain of the 12 AX7. The overdrive is ok—not great at very high gain, tends to be woofy on the low end, but very good at lower gain levels to put a little bit of hair on the tone. I love the way it adds warm harminiuc without getting into full distrotion. As you up the gain it’s good to drop the bass a little. Both controls have a big effect on overall gain. If you roll both all the way back you get a very middy sound, think Grant Green, but much less gain and volume
Open it up and it roars—very loud and there is an interesting attack, kind of a sag effect. I played a Class D bass amp for many years, and there is something nice about the “feel” of class D. It’s softer or something. Reactive.
When the master volume is turned up, it sounds great. At room levels it's really good but a little flat. It gets very loud through a 100 watt closed back 1x10 cab, but at full volume it’s not very clean.
The Headphone out sounds really great, very satisfying to play. The XLR to the computer sounds good: I need to mess with it some more.
Construction: Below are some shots with the side panels, nicely made of maple, removed. You can see the tube is mounted in a ceramic socket on a vertical circuit board, which makes a lot of tube swapping probably a bad idea. The pedal/enclosure gets warm when the 12AX7 is cooking
There are secret controls if you take the right side panel off. There are three different verbs available via dip switches—two spring verbs and a plate. Each verb can be accompanied by trem either in a sine wave or as a triangle wave. And you can set the decay of the verb via a trim pot. I set it to plate and sine wave with a relatively short decay. The blue trim pot is at top, right center, and the dip switches are below it to the left. There's a REALLY huge cap in there on the left, a big brown cap the the left of the copper wound inductors.
It seems very well made. Attention to detail is apparent at the way the caps are bedded in silicone caulk
I'm planning to make a small 1x12 cab for a cannabis rex speaker I have on hand. You can run it without a speaker
An alternative would be a Quilter. I've tried a bunch of Quilters and for some reason the EQ section does not speak my language.
So far very pleased with it. It sounds glorious with an archtop jazzbox, and great with a tele. I will maybe have a chance to rig up some sound samples
You probably know what this is: A 50 watt Class D power amp with a tube preamp using one 12AX7
Positives
Really great sound
small size
light
has onboard verb and trem
cab sim
headphone
XLR out
Cons:
Pricey
Underpowered for really loud clean
no effects loop
Not as reactive as an all-tube amp
So I got this, maybe out of boredom or restlessness as much as anything else. I'm not a tube snob at all, thoguh I have a great sounding Pro Junior I put in a 1/12 cab. I had been playing at home using a Yamaha THR30II, which sounds good but I mostly play clean with a small amount of "hair," think Kenny Burrell on Midnight Blue. It had a bunch of stuff I really ever use and it's not really loud enough in the event I ever go back to gigging. OK enough self justification.
First impression is that it was very dark. I ran it into a Henricksen sealed cab ten rated for 100 watts, then into a ten inch pro junior cab with the stock fender speaker, and then into a 12 inch cab with a 12 inch weber alnico, I think a 12150. They all seemed dark with bass and treble at "noon."
But the Eq controls are very powerful, and you can easily tame the bass with a very small adjustment on the bass control. Small adjustments to either make a big difference. You can nail a black face deluxe sound if you boost bass and treble.
The Volume knob adjusts the gain of the 12 AX7. The overdrive is ok—not great at very high gain, tends to be woofy on the low end, but very good at lower gain levels to put a little bit of hair on the tone. I love the way it adds warm harminiuc without getting into full distrotion. As you up the gain it’s good to drop the bass a little. Both controls have a big effect on overall gain. If you roll both all the way back you get a very middy sound, think Grant Green, but much less gain and volume
Open it up and it roars—very loud and there is an interesting attack, kind of a sag effect. I played a Class D bass amp for many years, and there is something nice about the “feel” of class D. It’s softer or something. Reactive.
When the master volume is turned up, it sounds great. At room levels it's really good but a little flat. It gets very loud through a 100 watt closed back 1x10 cab, but at full volume it’s not very clean.
The Headphone out sounds really great, very satisfying to play. The XLR to the computer sounds good: I need to mess with it some more.
Construction: Below are some shots with the side panels, nicely made of maple, removed. You can see the tube is mounted in a ceramic socket on a vertical circuit board, which makes a lot of tube swapping probably a bad idea. The pedal/enclosure gets warm when the 12AX7 is cooking

There are secret controls if you take the right side panel off. There are three different verbs available via dip switches—two spring verbs and a plate. Each verb can be accompanied by trem either in a sine wave or as a triangle wave. And you can set the decay of the verb via a trim pot. I set it to plate and sine wave with a relatively short decay. The blue trim pot is at top, right center, and the dip switches are below it to the left. There's a REALLY huge cap in there on the left, a big brown cap the the left of the copper wound inductors.

It seems very well made. Attention to detail is apparent at the way the caps are bedded in silicone caulk

I'm planning to make a small 1x12 cab for a cannabis rex speaker I have on hand. You can run it without a speaker
An alternative would be a Quilter. I've tried a bunch of Quilters and for some reason the EQ section does not speak my language.
So far very pleased with it. It sounds glorious with an archtop jazzbox, and great with a tele. I will maybe have a chance to rig up some sound samples