flatfive
Friend of Leo's
Hi all. Here's the story behind this build.
For about 20 years my only electric was a '64 Gibson Melody
Maker. At that time of my life I never thought of doing more
than tuning the strings on my guitar (and playing it).
The guitar was heavily modified when I bought it, with humbuckers
and a Leo Quan Badass Bridge. It had all sorts of dings, plus
heavy cracking of the finish -- it whatever the term is that
gets used when this cracking is supposed to be a good thing
.
After I started buying other guitars, I believed this was my
beater. I wasn't smart enough to know that a vintage Gibson
was worth more than a Yamaha Pacifica
About four years ago I discovered that the guitar, and even
the beat up case, were worth money, and then I sold it faster
than Al Di Meola can play the dorian mode.
My plan is to build something close to my old Melody Maker,
partly because I miss it a little, partly because it was a fun
guitar to play, and partly as a way to get some chops together
for the Gretsch build I started recently.
Here's some pics.
(Fortunately I took tons of pics before selling it.)
The mods done on it were very crude. Here's what it looked
like under the pick guard.
I'm going to use two humbuckers, a (link removed)
more like the original bridge, and (link removed). Not sure what
kind of humbuckers yet. The ones on my Melody Maker
were Gibsons.
The new stuff for me on this build will be: angled headstock,
angled, glued neck, and burst finish.
One thing I don't plan to copy is the way the original
pickguard wrapped around the bridge pickup.
Thanks to ievans and Pat Sharkey, I've got a great, detailed
Melody Maker plan to work from.
Thanks again!
For about 20 years my only electric was a '64 Gibson Melody
Maker. At that time of my life I never thought of doing more
than tuning the strings on my guitar (and playing it).
The guitar was heavily modified when I bought it, with humbuckers
and a Leo Quan Badass Bridge. It had all sorts of dings, plus
heavy cracking of the finish -- it whatever the term is that
gets used when this cracking is supposed to be a good thing
After I started buying other guitars, I believed this was my
beater. I wasn't smart enough to know that a vintage Gibson
was worth more than a Yamaha Pacifica
About four years ago I discovered that the guitar, and even
the beat up case, were worth money, and then I sold it faster
than Al Di Meola can play the dorian mode.
My plan is to build something close to my old Melody Maker,
partly because I miss it a little, partly because it was a fun
guitar to play, and partly as a way to get some chops together
for the Gretsch build I started recently.
Here's some pics.
(Fortunately I took tons of pics before selling it.)
The mods done on it were very crude. Here's what it looked
like under the pick guard.
I'm going to use two humbuckers, a (link removed)
more like the original bridge, and (link removed). Not sure what
kind of humbuckers yet. The ones on my Melody Maker
were Gibsons.
The new stuff for me on this build will be: angled headstock,
angled, glued neck, and burst finish.
One thing I don't plan to copy is the way the original
pickguard wrapped around the bridge pickup.
Thanks to ievans and Pat Sharkey, I've got a great, detailed
Melody Maker plan to work from.
I've got a Melody Maker plan, by Pat Sharkey. It's quite detailed.
Edit: just get it from the man himself here:
https://docs.google.com/viewer?a=v&...FmYmUtNTc3OWY2MGRhZDk4&hl=en&authkey=CN_g4_sI
Thanks again!