They ain't cheap, but sound great.
A Bluegrass buddy of mine ( collector) has a 5-18 that is just so cool, in that it looks just like a 'baby D-18' - just beautiful woods. I've played it for a few songs and it is crystal clear and loud.I think I would be more inclined to get a clean, spruce-top 50s era 5-18 for about the same price. But it will likely come with a crap case and crummy tuners.
4 grand. That is a lot of money for a guitar you can't hear on the other side of the couch which is why many a wife will purchase one as a Christmas present this year.
Thanks for the link. I was a member back before the interweb. Had me a stack of orange print editions - given to a friend along with my Martin HD-28K kit I was building in my apartment living room. But my life changed gears and when I went to optometry school in the early 90s, I had to depart with the partially-built kit. I am not a craftsman, so could never build an acoustic guitar from scratch without an investment in time, and money - things I am running out of. If you can scan it into a PDF document without much effort, I wouldn't mind reading it.I happen to be reading thru an old copy of American Lutherie (Spring 2021) and it features an article by James Buckland about the original terz guitars. Buckland is a well known builder and player of period instruments including many guitars from the 19th century and he has drawn the terz guitar plans that GAL sells.
There aparently was quite a bit of music written for a guitar tuned a minor third above concert and as we know the definition of the frequency of A was all over the place, typically i the 410-415 hz range.
Terz guitars were built by a number of companies - Lacote, Stauffer, Martin. They were around 560mm scale (21.6 inch), and were strung with gut until nylon strings became available. One of the things I find fascinating is that many had adjustable neck joints with clock key mechanisms - clever little bits of engineering a hundred and fifty years ago.
Buckland also talks about how luthiers at that time used geometric ratios for many of the dimensions on their instruments - shapes were chosen to be pleasing to the eye as well as the ear.
Anyway an interesting article - Boreas I could probably scan it and send you a copy if you want to pursue these sweet little guys - it would be a good project to build one,