azureglo
TDPRI Member
Having introduced my self properly,
Here's my first DIY project. I have thread running on an Offset and a Strat elsewhere but this will follow the same general idea so here’s my wish list:
*I play jazz/soul/funk & sessions, rarely use overdrive or distortion so A2 pickups suit me
*I’m into natural wood as I’m learning as an apprentice to a master cabinet builder, so natural finish with black plastics like the 70’s versions I grew up with. As an experienced car sprayer, that will be my method of finishing guided by my mentor
*I use Squier CV necks as they suit my small violin players hands perfectly. I also like the aesthetics of a Strat head stock compared to the Tele
*Have a Vintera Deluxe whose rear contour makes it so much more user friendly, why not a forearm contour as well?
*Light weight matters a lot to me, my main studio guitar is a modded Squier CV Thinline that weighs 6lbs
So first off a super light 1.6kg/3.5lb, two piece white Limba body. This came with a rear contour from the CNC so I just need to add the forearm contour that suits me.
Becoming a fan of these lovely low output A2 pickups that have a muted treble response, they sound like very Cornell Dupree when run through my Polytone.
The low profile bridge is a simpler, cheaper version of the Gotoh In-Tune item on my CV Thinline: No ugly logo or "authentic" rough finish after pickup opening and I might upgrade to the swivelling brass saddles that allow for slightly better intonation but not by much.
Neck is this lovely Squire VM 60's Strat piece, this has the same profile as my 24 year old American Standard Strat & Tele, as well as the same high gloss finish. Will be getting a Strat cut pickguard to cover up the neck pocket gap. Nice bonus is that is apparently a real rosewood board not the Indian Laurel used on current CV 60s models.
Finish will be cellulose sanding sealer followed by water poly as shown here: a first test showed that grain only darkens slightly unlike ash or alder. I will do some tests to tint the poly coats to a Gibson 50s "Korina" shade or something more Oak like. That said my woodworking mentor pointed out I should accept it for what is and simply seal and protect it...being clear coated in water poly means I can easily add a coloured tint later, so that may the first step, after all, it is a musical instrument not a house ornament, form follows function etc.
A quick mock-up, looks jolly nice to me.
Cheers,
A.
Here's my first DIY project. I have thread running on an Offset and a Strat elsewhere but this will follow the same general idea so here’s my wish list:
*I play jazz/soul/funk & sessions, rarely use overdrive or distortion so A2 pickups suit me
*I’m into natural wood as I’m learning as an apprentice to a master cabinet builder, so natural finish with black plastics like the 70’s versions I grew up with. As an experienced car sprayer, that will be my method of finishing guided by my mentor
*I use Squier CV necks as they suit my small violin players hands perfectly. I also like the aesthetics of a Strat head stock compared to the Tele
*Have a Vintera Deluxe whose rear contour makes it so much more user friendly, why not a forearm contour as well?
*Light weight matters a lot to me, my main studio guitar is a modded Squier CV Thinline that weighs 6lbs
So first off a super light 1.6kg/3.5lb, two piece white Limba body. This came with a rear contour from the CNC so I just need to add the forearm contour that suits me.
Becoming a fan of these lovely low output A2 pickups that have a muted treble response, they sound like very Cornell Dupree when run through my Polytone.
The low profile bridge is a simpler, cheaper version of the Gotoh In-Tune item on my CV Thinline: No ugly logo or "authentic" rough finish after pickup opening and I might upgrade to the swivelling brass saddles that allow for slightly better intonation but not by much.
Neck is this lovely Squire VM 60's Strat piece, this has the same profile as my 24 year old American Standard Strat & Tele, as well as the same high gloss finish. Will be getting a Strat cut pickguard to cover up the neck pocket gap. Nice bonus is that is apparently a real rosewood board not the Indian Laurel used on current CV 60s models.
Finish will be cellulose sanding sealer followed by water poly as shown here: a first test showed that grain only darkens slightly unlike ash or alder. I will do some tests to tint the poly coats to a Gibson 50s "Korina" shade or something more Oak like. That said my woodworking mentor pointed out I should accept it for what is and simply seal and protect it...being clear coated in water poly means I can easily add a coloured tint later, so that may the first step, after all, it is a musical instrument not a house ornament, form follows function etc.
A quick mock-up, looks jolly nice to me.
Cheers,
A.
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. I too love the Strat headstock on a Tele. And if it were me I'd do a vintage Strat pickup in the neck (have never cared for Tele neck pickups, but love the bridge pickup). My neck has a rosewood board too ( I did the board and neck. Love carving 
). 
