ChicknPickn
Poster Extraordinaire
Would you use anything other than grain filler and sealer beneath it? White? Primer?
White primer. I’d skip grain-fill on fine grained wood (alder, poplar, basswood, maple…). I go white primer, then color.Would you use anything other than grain filler and sealer beneath it? White? Primer?
Thank you, sir!White primer. I’d skip grain-fill on fine grained wood (alder, poplar, basswood, maple…). I go white primer, then color.
I might as well follow up on this good advice: is there a primer the experienced finishers here prefer?White primer for sure, and I'd finesse the hell out of it. When you think you're done, walk away and come back later, raking a bright light across your previous work and fixing any flaws. Repeat. Only then will you be ready for the color, and it will be totally painless as a result of your fastidious, uncompromising prep work. Be ready to sand aggressively at the primer stage, and use a large-ish block for flat surfaces.
I think it looks good without filler. I’m realizing the color in this pic is washed from glare but it is Daphne single shot over unfilled ash of some variety.White primer. I’d skip grain-fill on fine grained wood (alder, poplar, basswood, maple…). I go white primer, then color.
That does look good!I think it looks good without filler. I’m realizing the color in this pic is washed from glare but it is Daphne single shot over unfilled ash of some variety.
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Wow - - that IS cool.I think it looks good without filler. I’m realizing the color in this pic is washed from glare but it is Daphne single shot over unfilled ash of some variety.
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Fer sher...I did my first guitar where the finish was super glossy when I first applied it...came back to see the dry work, it had sunk into the grain...>ich!<White primer for sure, and I'd finesse the hell out of it. When you think you're done, walk away and come back later, raking a bright light across your previous work and fixing any flaws. Repeat. Only then will you be ready for the color, and it will be totally painless as a result of your fastidious, uncompromising prep work. Be ready to sand aggressively at the primer stage, and use a large-ish block for flat surfaces.
I think I would use a silver base color over the white primer and under the Daphne Blue.Would you use anything other than grain filler and sealer beneath it? White? Primer?
Kilz works great, used it on this guitar:I used Kilz original aerosol on my last couple and it was fantastic. It sanded level like plaster of paris.
First, stain the guitar yellow. Then, use sanding sealer or white primer. Then paint your topcoats and finish with a clear coat. When it ages, you will see the blue worn to white, then yellow. From what I have read, Fender used to stain all of their bodies with yellow stain, whether or not they would be sunburst or a custom color. I saw a friend’s mustang that had been well worn with that color scheme, which seems to validate what I read. I painted my Jazzmaster build in that manner. It’s not a true Daphne blue, but very close.Would you use anything other than grain filler and sealer beneath it? White? Primer?
Actually, Fender painted them red, white or blue in the early years before the competition stripes. The three colors were actually pretty close to, if not actually Dakota Red, Olympic White or Daphne Blue. The metallic blue was called “Burgundy.” For some reason.That LPB Mustang looks fantastic!
I don't think they ever did Mustangs in that color. Pretty sure there was a "competition stripe" model in a darker metallic blue, which they may still have called LPB even though it wasn't, but no single-color LPB vsersion.