Peter Graham
TDPRI Member
I would agree with teletail. Learn to play a few songs that you actually like. You are far more likely to stick with it if you can slowly hear a song you have always loved emerging from your own hands. By contrast, if you never liked Mull of Kintyre, why on earth would you want to spend hours in its company? My pal taught guitar in the early 90s and he always asked students to give him a cassette of their ten favourite songs. This being Manchester back in the day, it was all Stone Roses, Charlatans, Smith's, New Order and Inspiral Carpets rather than 50s or 60s classics.
With the possible exception of 70s prog noodlers, most bands will have produced a few structurally simple songs and many will have produced lots of structurally simple songs. Many are based round the same three or four chord progression, so a) pick a band you like, b) pick a shortish or a catchy tune by that band and chances are it is something you can master. Back to my mate. He'd pick the simplest tracks on the cassette and start there. If a Charlatans song is similar to (say) Johnny B Goode, teach them the Charlatans song as it's much more likely they'll practice it.
Might I also suggest focussing on the rhythm parts first.(whether that is chords or riffs)? Get a feel for the song's underlying pattern before you start looking at what the lead player is doing.
With the possible exception of 70s prog noodlers, most bands will have produced a few structurally simple songs and many will have produced lots of structurally simple songs. Many are based round the same three or four chord progression, so a) pick a band you like, b) pick a shortish or a catchy tune by that band and chances are it is something you can master. Back to my mate. He'd pick the simplest tracks on the cassette and start there. If a Charlatans song is similar to (say) Johnny B Goode, teach them the Charlatans song as it's much more likely they'll practice it.
Might I also suggest focussing on the rhythm parts first.(whether that is chords or riffs)? Get a feel for the song's underlying pattern before you start looking at what the lead player is doing.
Last edited: