Kandinskyesque
Tele-Holic
I'm came up with a chord sequence brought about by some melodies I had in head, now I'm playing about with/refining the vocal melodies and I know the verse key is in F#maj and the other part (chorus? it might be the other way round, lyric depending) is evading me as to what key it's in.
I know I'm doing some kind of modulation but my theory is poor to non existent and I'd appreciate somebody with a bit of theory knowledge to tell me what I've managed to pull from the ether.
The verse chords are: (4/4)
F#/ F#/ A#m/ B
B/ D#m/ A#m/ B
Bm/ D#m/ A#m/ G#m
F#/ F#/ B/ Bm
I repeat that then go into:
Bm/ Bm/ E/ E/ C#m/ C#m/ F#m/ F#m
Bm/ Bm/ E/ E/ A/ A/ C#/ C#
Then back round the verse chords again.
I've came up with a few key vocal melodies I like in both parts but I'd like to put some variations on them.
I can currently work it out by ear but I don't know what theory lies behind these patterns.
Any help would be gratefully appreciated.
I know I'm doing some kind of modulation but my theory is poor to non existent and I'd appreciate somebody with a bit of theory knowledge to tell me what I've managed to pull from the ether.
The verse chords are: (4/4)
F#/ F#/ A#m/ B
B/ D#m/ A#m/ B
Bm/ D#m/ A#m/ G#m
F#/ F#/ B/ Bm
I repeat that then go into:
Bm/ Bm/ E/ E/ C#m/ C#m/ F#m/ F#m
Bm/ Bm/ E/ E/ A/ A/ C#/ C#
Then back round the verse chords again.
I've came up with a few key vocal melodies I like in both parts but I'd like to put some variations on them.
I can currently work it out by ear but I don't know what theory lies behind these patterns.
Any help would be gratefully appreciated.