With my tinnitus, every day is a new day for what sounds good and better. As long as I can tweak it on a given day to sound good to my modified ears from cymbals and excessive volume, I'm good with SS and Tubes all the same. Rock on and just play!
This is an excellent, if not tangential point.Try a real good tube amp! No peavey, no h&k, no rack preamp. Try a jcm800 from 1982 with n.o.s. tubes and a straight 4x12 with g12-65 !Really better than transistor amp!
Googled 'phrase tube amp emulation' and came up empty. Just in case I also tried 'phase tube amp emulation' and still nothing. See below.lots of non tube amps advertise using the phrase tube amp emulation...if there is no differce in sound between tube amps and the others why try to emulate tube tone?
So it might be the amp design and not actually the tubes?I only have experience with Marshall Valvestate and Peavey Transtube amps. Neither were tube like, with the Marshall having outright brutal distortion. The Peavey crunch was very limited to 80’s Metal tones.
Mainly to control the volume on the Marshall.Why do you need all those stompboxes then?![]()
I put a quad of WGS Vet 10s in my late-60's SR around this time last year, and I love how it sounds (finally, with that set of speakers, after trying lots of other combinations), but it's still way too loud at the sweet spot. If I lower the volume, I have other amps that sound better like that, and they sound better with pedals, too.This thread is making me think more about selling a couple of tube amps that I rarely use....before the market for them crashes. They are large and inconvenient, so I rarely gig with them, but boy do they sound good. So I hang on to them even though it probably doesn't make sense. I would still have two smaller tube amps that also sound really good....
Googled 'phrase tube amp emulation' and came up empty. Just in case I also tried 'phase tube amp emulation' and still nothing. See below.
So it might be the amp design and not actually the tubes?
Might it be the same for SS amps, some are designed to take in the lessons learned about how tubes work and some not? The biggest leap SS amps did is including current negative feedback to get the same (or at least close) interaction between the output stage of the amps and the speaker.
lol...pretty sure the tube amp matket is'nt gonna crashThis thread is making me think more about selling a couple of tube amps that I rarely use....before the market for them crashes. They are large and inconvenient, so I rarely gig with them, but boy do they sound good. So I hang on to them even though it probably doesn't make sense. I would still have two smaller tube amps that also sound really good....
Paul Rivera did a lot of work with the concept of a solid state "current feedback power amplifier" with Yamaha and the Series II / III G 50 & 100 amps to mimic what a tube amp does. He also added a parametric EQ to the amps to allow for mid-scooped, or boosted, etc. Modeled Fender reverb circuit and early Fender speaker characteristics.
Awesome SS amps, capture that clean Twin sound, mostly unknown. They are gathering popularity though and prices are climbing. Here he is talking about the design process and features:
and i quote "to mimic what a tube amp does"...why mimic one and not just get one?
i'll buy that reasoningFer starters, nobody makes a tube amp the size of a matchbox that I can tuck in with my travel guitar.
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Sorry not to be dense.This is an excellent, if not tangential point.
I have a Blues Jr. and a Pro Jr. and while they are very decent tube amps - they're toys compared to my vintage, well maintained Fenders and my stable of boutique beauties. Still, for recording at home, I mostly use amp sims and my 3 uafx amp pedals.
*I don't care if occasionally Bonnie Raitt or Jeff Beck uses/used Pro Jrs. I can guarantee you they are not the same Pjr. that you or I could pick up at Guitar Center.
I'll venture a guess...Sorry not to be dense.
But if you just have boutique amps for home use but don't even use them for recording at home...
What are they for?
my supro bk10 has reverb and i run a trem pedal...joyo jf 09...and a caline blue sky which i use for boost onlyI'll venture a guess...
They are for collecting.
I take them to live gigs and when I record at recording studios and other folk's home studios.Sorry not to be dense.
But if you just have boutique amps for home use but don't even use them for recording at home...
What are they for?
See the above post.I'll venture a guess...
They are for collecting.
Don't do it. Make wall art until they're called upon.This thread is making me think more about selling a couple of tube amps that I rarely use....before the market for them crashes. They are large and inconvenient, so I rarely gig with them, but boy do they sound good. So I hang on to them even though it probably doesn't make sense. I would still have two smaller tube amps that also sound really good....