Paul G.
Friend of Leo's
I had a guitar I never use, that was worth what I paid, so time to trade: I wanted an inexpensive guitar I could throw in the car for rehearsals, jams, etc., but it had to sound and play well. I had heard a lot of good things about the "Inspired by Gibson" Epiphone models, so down to the store I go. I have no idea what the reviewers were looking at but every example I tried out looked fine from 2 feet away, but they were all horrifyingly shoddy. Bad fretwork, wonky switches, sloppy workmanship, bindings that were installed by pigeons, and they just seemed tossed together.
The salesman (a very good friend, BTW) asked if I had any feeling about PRS guitars. I said I had an open mind and he handed me an SE 245. What a difference!! For the same price as one of the Epis it had perfect fretwork, and lovely dark rosewood board. The pickups are moderate output with nice brightness while maintaining a nice fatness. Big, yet comfortable neck, incredible playability. I know the flamey top is veneer, but I'd compare this to instrument two or even three times the money.
2 issues: In order to get the G string to intonate, the saddle had to be set very far back in the bridge. The angle of the string would push the saddle forward every time I bent the string. I solved this by cutting a small spring to length and installing it around the set screw.
The other issue was the knobs. They must have been installed in the dark or at the very end of shift. With the pots open, 2 of them read 10. One read 0 and the other read 6. Easy fix.
Pretty happy with it.
The salesman (a very good friend, BTW) asked if I had any feeling about PRS guitars. I said I had an open mind and he handed me an SE 245. What a difference!! For the same price as one of the Epis it had perfect fretwork, and lovely dark rosewood board. The pickups are moderate output with nice brightness while maintaining a nice fatness. Big, yet comfortable neck, incredible playability. I know the flamey top is veneer, but I'd compare this to instrument two or even three times the money.
2 issues: In order to get the G string to intonate, the saddle had to be set very far back in the bridge. The angle of the string would push the saddle forward every time I bent the string. I solved this by cutting a small spring to length and installing it around the set screw.
The other issue was the knobs. They must have been installed in the dark or at the very end of shift. With the pots open, 2 of them read 10. One read 0 and the other read 6. Easy fix.
Pretty happy with it.