How often are you noodling vs. writing music?

For me noodling leads to writing/composing so it’s hard to differentiate where one ends and the other begins.

 

Hi.

Um, bit of both I guess.

But often, or maybe even typically, I’m ‘noodling’ and a musical idea pops up. So, I record it to my iPhone, using Apple’s Music Memos app. That’s like my sonic notepad. Music Memos has an option to switch in and out drums and (inaudible) bass, so it gives you a rough idea how something might sound. Using this app, I have it recorded, cos otherwise I’d forget it, and I can revisit it later to see if I can develop it. A few songs have emerged this way.

If lyric ideas strike, I either mumble them into the same app, or write them in the Notes app.

So, I guess I have two main, separate processes for the starting point. I start from the music derived from guitar ‘noodling’ or with words from sudden ‘mind noodling.’

Either way, it usually settles into more formal or disciplined sessions to finish it.

Pax/
Dean

 

I "noodle" all the time, trying different strummed chord progressions, riff ideas, finger-picking patterns, and then when I stumble across something worth pursing, I record it to the Voice Memo app on my iPad. (I've got to try the Music Memos app!) If it's worth developing, I'll replay the idea into Cakewalk with a drum pattern from Superior Drummer, and then start shaping those initial ideas into a song by adding a guide melody and some initial lyrics. I've also written songs from the drums up, and songs from a chorus line downward. If it's the latter, I'll figure out the tempo of the line by looping drums until I've found the correct tempo, and then start building things out from there.

 

I have a short attention span ...

By the time I get warmed up, I usually think of something else I need to do...

Like eat, or watch TV, or take a nap...

Or check TDPRI ...

 

i noodle all the time. if it had some quick easy way to record, i could invent rock songs by the dozens.

 

All writing comes from noodling, for me. I don't just sit down with the goal to write a song. It just comes out.

 

I noodle chords and basslines into something resembling pasta. I can write songs born of basslines in the car or shower if I can get to a guitar before I lose them. But that's pretty rare. One of the fastest ways to a song for me sometimes is to start with the drum beat first. Noodling chords tends to produce slower instrumentals.

 

Beat me to it, yep. They’re inextricable for me.

 

My view on this matter: noodling is mindless noisemaking with little thought to what's going on musically; it reinforces bad habits and is counter-productive.

Playing to work out riffs, licks, and parts is actual work.


^^THIS^^ is how I think about noodling.

 

Noodler.

 

In every waking moment of my life, there is an incessant soundtrack in my head beginning from the moment I get out of bed and continuously evolving as the day progresses. I cannot turn it off. It just happens. I’m constantly humming ideas for riffs, chord sequences, drum patterns, bass lines, vocal or guitar melodies, and even complete solos. Even as I’m writing this now, there’s a riff in my head that demands to be recorded! I’m hearing some nice major 7th Chord changes, man!

If it’s a real juicy idea that I don’t want to forget and I don’t have my guitar handy at that particular moment, I’ll just sing the guitar line or drum pattern into my iPhone. Then when it comes time to play and practice, I’ll bring those ideas to fruition on the guitar and record them typically on my laptop using AmpliTube.

Sometimes, I’m not able to nail the exact sounds I was hearing in my head, but during that process I’ll stumble on an entirely new riff or motif that’s equally exciting and l’ll pursue that!

So, that is my “process” if you will. I never sit down and say to myself, “okay, I’m going to write a song now”. You can’t force it. I think the best ideas happen naturally and you just have to wait for those moments of divine intervention and hopefully you can record those ideas before they forever vanish into the ether.

I enjoy “noodling” as much as everyone else but my personal version of noodling is not just to simply play whatever, but rather to “noodle” around with a fully realized musical idea and develop it to the point where I’m content enough with it to move on to the next song.

 

I noodle around all of the time trying out different stuff on my recording software, or just sitting around. Sometimes I’ll go “Wait! What was that?” and reach over and grab my iPhone and pull up the Voice Memos app. That’s lead to several cool ideas. If I force myself to sit down and write, it just seems forced to me when I finish.

 

Since set the home studio up. It's been a full song a week minimum from drums to finish.

usually get a new riff idea during the recording process. I put that in a looper for recall. During the process..absolutely noodle & switch amps & guitars..always keeping it fresh but when its lock in time for recording its all about the song at that point. before i am past a riff or 2 fr basic verse ..chorus its off to the drums

Drums are the key..can noodle all i want..nothing cohesive will be worth it until the time keeping is set..way more songs come from being behind the kit than noodling.

being a bass player since the beginning..the drums & bass rule ,, get them right..the rest is very easy to build upon..foundation up

 

I was nodding along, thinking, "yeah, man, that's exactly how it is for me too" and then I got to this and was like, "what? I thought we were talking about metal riffage over power chords! Who put a major 7th here?" lol.

But it's cool that the process would be the same for some people, even if the music style would be different.

 

I'm "noodling" all the time, i.e., experimenting with different 4-bar chord progressions, then looping a progression and improv-ing over the loop.

One can easily get "lost" in it...

 

The noodling part would be when you are trying to come up with a chord progression or melody (riff). If you're wasting too much time then switch to the lyrics. That's going to force you to put down the guitar part of the time (except when you are measuring the syllables against musical notes. Sometimes you need to start with an interesting song title that grasps the listener's attention. Then start thinking what the title might be about. Build a vocabulary list for whatever the subject is and find your rhymes. Songwriting really is tough work when it comes to writing songs that listeners remember and will last through more than one generation. There are too many musicians chopping chords, playing notes with words as opposed to melodies with lyrics.

 

Sometimes there's a fine line between noodling and woodshedding. In the last year or so I've been about 95% noodleshedding and 5% writing. That hasn't always been the case, though. I'm just more interested in improving my guitar skills right now. But it's also fun and stress reliever for me. So I'm not taking it too seriously. Just lots of scale runs and learning licks and techniques.

I guess true noodling to folks here would be messing around with chord changes? I don't do that. OK maybe a few 5ths to hear my amp sing. Outside of melody ideas built on weird key changes (which I have little patience for), there's nothing to be "learned" in that world for me. Chord progressions require very little knowledge, skill, or effort. It's coming up with good melodies and lyrics that are the art and craft of songwriting.

 

My songwriting approach is usually to capture little riff ideas into a looper, some of which make it to the next step of getting combined with another loop of pulled into the DAW for further experimentation. I'm normally always "trying" to come up with something new, however they all sound pretty similar because I willingly operate within the world of my own harmonic limitations.

Over the weekend, after getting my Eleuke working again, I came up with a little progression that is arpeggiating the notes thusly:

(low to high plucking, open strings below are G C E A)
2 - 0 - 0 - 0 - real notes A C E A
2 - 0 - 0 - 2 - real notes A C E B

(high to low plucking, open strings below are G C E A)
0 - 0 - 0 - 2 - real notes B E C G
2 - 0 - 0 - 2 - real notes B E C A

I do these kinds of things (playing visual patterns without considering what the notes really are) to try to bust out of some of my cliches, e.g. a chord progression like:

Am - D - C - G

After recording the Eleuke part I did a bass part by ear that matches some of the melody of the Eleuke.

Then I grabbed my guitar and figured out the chords which sounded good along these, which turned out to be:

Am - D - C - G

Ah... woops! Turns out that no matter where I go, there I am!