When you record or gig with an electric, how much of the guitar's unplugged sound do you like as part of your overall sound? Do you set the amp loud so that you can't hear the guitar's "acoustic"/unplugged tone at all or do you like a little of the unplugged tone bleeding in?
Many years ago, I had an Epiphone hollowbody that I eventually sold partly because I didn't like that I'd always hear the "acoustic" sound over top the amplified sound (and turning up the amp loud enough to mask that "acoustic" sound would lead to feedback issues). There was a buzzy, almost plastic quality to it that I didn't like.
Recently, I've done a couple of low-volume cocktail hour gigs with either my Tele or Epi Casino and ZT Lunchbox amp and actually enjoyed hearing the "unplugged" sound of the electric guitar floating over top of the amplified sound (if that makes sense). I'm tempted to start adding that to my recorded tones...there's almost a homey coffeehouse vibe it adds.
Many years ago, I had an Epiphone hollowbody that I eventually sold partly because I didn't like that I'd always hear the "acoustic" sound over top the amplified sound (and turning up the amp loud enough to mask that "acoustic" sound would lead to feedback issues). There was a buzzy, almost plastic quality to it that I didn't like.
Recently, I've done a couple of low-volume cocktail hour gigs with either my Tele or Epi Casino and ZT Lunchbox amp and actually enjoyed hearing the "unplugged" sound of the electric guitar floating over top of the amplified sound (if that makes sense). I'm tempted to start adding that to my recorded tones...there's almost a homey coffeehouse vibe it adds.