How about the singer whose praises you just don’t get?

posttoastie

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buster poser

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I like Frank, but, and this is just my personal opinion, I think there are several guys from that same era, who, again, in my opinion, are/were better singers: Tony Bennett, Sammy Davis Jr, and Dean Martin to name 3.
From the 50s on I absolutely agree, probably wasn't clear there. Frank was kind of a caricature of himself by then, smoking, whiskeying, and then the voice went somewhere else. But in the 40s? All three of those dudes came after, and I think Frank gets credit for his influence; he set a certain kind of singing as the gold standard for some time with his early stuff.

Bennett is far and away the best singer of the bunch in my opinion. He continued to be a great singer until disease took over. I saw him in 2004 (he was 78), we were second row and he sang one number without a mic, his projection was on another planet. Easily the best singer I have ever heard live.

Better than Frank in the 40s? For me, Nat. He could play a little too. What a group, 1944:



Oh, I do think Sinatra was a great entertainer, singer and performer per se, myself. But still, a d1ck.
Indefensibly so from the little I've read about him.
 
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Dismalhead

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Madonna. No range and an unremarkable voice.
What trips me out is how high her voice was on the first two albums compared to later. You listen to Borderline or Lucky Star it's like she's way up there, then later she took it down an octave. Always wondered if they did a Johnny Bravo on her in the studio in the early days.
 

Hodgo88

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loudboy

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Shania Twain and Faith Hill both prompted the rise of the non-singer, in country music. Compare either of them to Trisha Yearwood or Patty Loveless to see how far the bar was lowered.

I'm watching clips of the latest Taylor Swift tour, and the autotune is just heinous. She's captured an entire generation of teenage girls, but it sure wasn't because of her singing.
 

BluesMann

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I recognize Sinatra, or Bing Crosby, or any of the singers from that era. The voices are smooth, but what they sing doesn’t sing out to me and grab me. Ian Gillian first hit me in his role in Jesus Christ Superstar. That was a collection of great vocalists in every role and a great cast of supporting musicians. Besides the impact of the work itself, I was pulled in by the execution and emotion. So what I look for is someone who brings its, whether they are vocalists or musicians or both. I think that defines what and who I listen to.
 
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