frederikdr
TDPRI Member
I first posted my question as a reply to an old topic in the Amp Tech Center subforum. King Fan recommended me to start a new topic here. Thank you for reading, or even better, joining the discussion
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About 7 or so years ago, I built a standalone harmonic vibrate/tremolo unit, built from scratch, not following any particular DIY kit. I did the basic two gainstage preamp that can be found in many of the brownface Fenders, and the 4 triode vibrato/tremolo design. Since there were no 10M potentiometers to be found on my side of the Atlantic, I decided to go with a 6-position rotary switch to capture a usable range of settings for the intensity control. Since then, I was living abroad for a few years and didn't play the thing anymore. Now recently I started playing it again, opened it up a few times, and started reconsidering some decisions that I made in the building process.
Back when I built it, I initially installed quite a random set of 12AX7 tubes. First time I got 'sound' from it, the thing sounded more like a drumcomputer doing a slow bassdrum sound, 'thumping', if that's the right word. Back then, I started messing around with different tubes, and managed to get the thumping to stop, once I put 7025 labelled tubes in 2 or 3 out of 3 positions. I guess I decided to go for the 7025 since that was what the Fender schematics for these brownface amps generally indicated.
Now a few days ago, I started experimenting with tubes again. Again, I took a random number of 12AX7 tubes, and tried replacing all positions, to find out which is the 'sensitive' one. The tube in the preamp position (I mean the input triode and the one after the EQ controls) doesn't affect the issue at all, which I also expected. Now, to my surprise, also the mixing stages take any of the tubes that I had available. It's specifically the LFO/oscillator stages that are picky on which 12AX7 I put in there.
Tubes that work fine in the LFO/oscillator stages:
- JJ ECC83S (the one I use, I believe was labelled V1 by the shop where I bought)
- JJ ECC803S
- TAD 7025WA
- Sovtek 7025/12AX7WA
Tubes that make the amp thump when installed in the LFO/oscillator stages:
- Bugera branded 12AX7A
- RUBY 12AX7AC5 HG
- Electro-Harmonix 12AX7EH
- Marshall branded tube (not sure about the exact type), taken from an old JCM900
Did anyone manage to discover any structural logic behind this 'thumping' issue? I have experimented with slightly higher and lower B+ voltages for the oscillator, but the issue stays the same. The capacitors around the intensity control are seen by some on online forums as a possibly relevant factor, but I haven't found any concrete indications on which values would possibly improve the issue. In the other subforum, someone said that the 2-4uf cap plays a big roll. From what I understand, this refers to the cathode bypass capacitor on the mixing stage. Since the tube in the LFO position is what makes my unit thump or not, I somehow expect the relevant factor to lie closer on that side of the circuit, but I might be thinking in ways too simplistic.
A small sound sample of the sound with a 'bad' tube (in this case the Ruby 12AX7AC5 HG tube) in oscillator position.
The frequency of the 'beat' is approximately 1/4th of the tremolo frequency.
And a sample of the unit working fine with the TAD 7025 in that LFO position:

About 7 or so years ago, I built a standalone harmonic vibrate/tremolo unit, built from scratch, not following any particular DIY kit. I did the basic two gainstage preamp that can be found in many of the brownface Fenders, and the 4 triode vibrato/tremolo design. Since there were no 10M potentiometers to be found on my side of the Atlantic, I decided to go with a 6-position rotary switch to capture a usable range of settings for the intensity control. Since then, I was living abroad for a few years and didn't play the thing anymore. Now recently I started playing it again, opened it up a few times, and started reconsidering some decisions that I made in the building process.
Back when I built it, I initially installed quite a random set of 12AX7 tubes. First time I got 'sound' from it, the thing sounded more like a drumcomputer doing a slow bassdrum sound, 'thumping', if that's the right word. Back then, I started messing around with different tubes, and managed to get the thumping to stop, once I put 7025 labelled tubes in 2 or 3 out of 3 positions. I guess I decided to go for the 7025 since that was what the Fender schematics for these brownface amps generally indicated.
Now a few days ago, I started experimenting with tubes again. Again, I took a random number of 12AX7 tubes, and tried replacing all positions, to find out which is the 'sensitive' one. The tube in the preamp position (I mean the input triode and the one after the EQ controls) doesn't affect the issue at all, which I also expected. Now, to my surprise, also the mixing stages take any of the tubes that I had available. It's specifically the LFO/oscillator stages that are picky on which 12AX7 I put in there.
Tubes that work fine in the LFO/oscillator stages:
- JJ ECC83S (the one I use, I believe was labelled V1 by the shop where I bought)
- JJ ECC803S
- TAD 7025WA
- Sovtek 7025/12AX7WA
Tubes that make the amp thump when installed in the LFO/oscillator stages:
- Bugera branded 12AX7A
- RUBY 12AX7AC5 HG
- Electro-Harmonix 12AX7EH
- Marshall branded tube (not sure about the exact type), taken from an old JCM900
Did anyone manage to discover any structural logic behind this 'thumping' issue? I have experimented with slightly higher and lower B+ voltages for the oscillator, but the issue stays the same. The capacitors around the intensity control are seen by some on online forums as a possibly relevant factor, but I haven't found any concrete indications on which values would possibly improve the issue. In the other subforum, someone said that the 2-4uf cap plays a big roll. From what I understand, this refers to the cathode bypass capacitor on the mixing stage. Since the tube in the LFO position is what makes my unit thump or not, I somehow expect the relevant factor to lie closer on that side of the circuit, but I might be thinking in ways too simplistic.
A small sound sample of the sound with a 'bad' tube (in this case the Ruby 12AX7AC5 HG tube) in oscillator position.
The frequency of the 'beat' is approximately 1/4th of the tremolo frequency.
And a sample of the unit working fine with the TAD 7025 in that LFO position: