Guitars with Interesting Features

Blrfl

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I'm intrigued by the P.T.B (Passive Treble & Bass) System (Leo/G&L design). I really like how it sounds from demos I heard online, but have no clue about the wiring.

I'm a huge fan of that arrangement. My Legacy (obviously) has it and I wired that on the Stowaway I posted earlier. The circuit is pretty straightforward:

1675196850407.png


I had a heck of a time finding the bass pot and eventually bought a full set from G&L since I was already ordering a set of CLF-100s.
 

mandoloony

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Micro-Frets tried hard to be different, but their quirks had a logic to them. The short scale was thought to be easier to play. The roller knobs apparently appealed to Fender offset players. The big metal ʍ... I don't know, maybe they wanted to appeal to seagulls. And the adjustable nut really did help with intonation.

GRLUIQh.jpg
 

jwguitar

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brookdalebill

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Micro-Frets tried hard to be different, but their quirks had a logic to them. The short scale was thought to be easier to play. The roller knobs apparently appealed to Fender offset players. The big metal ʍ... I don't know, maybe they wanted to appeal to seagulls. And the adjustable nut really did help with intonation.

GRLUIQh.jpg
Micro-Frets made a model with a built-in wireless system, too.
 

brookdalebill

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Sort of - it was an FM transmitter so you could play your guitar over the radio. It was optional on most models in the early days of the company.
Dan Forte had a column in the old Guitar Player magazine.
I think it was called Bizarre Guitar.
He referred to the guitar in question as the “aroused canine’” model.
 
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jwguitar

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The most useful feature on any of my guitars would be the bass contour control on my old (2007) Reverend Roundhouse. I don't have any good pics of it, but mine looks just like this.

R.2a67a2409e6674b5bc444f5d212db8a3


It doesn't actually 'clean up' the humbucker, just rolls off a little low end and gives better definition for chording. And I open it up for solos, which gives the guitar a little extra heft. Pretty nifty. The Roundhouse has pretty much become my #1 for club gigs lately.

- D
Reverend really makes some nice guitars. Not that it matters so much, but out of curiosity was your guitar built in Korea or was that still back when they were producing them in the US?
 

FSRCustomTeleHHGT

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IMG_3450 crop.JPG

My Fender FSR Custom Telecaster HH has the following special features -- all stock:
Carved top. DiMarzio SD and PAF Pro pickups with push/pull for coil splits. 15.75" FLAT radius neck with large abalone dot inlays. Bound/set neck. Graphtech nut. A similar model with FMT and Duncan pickups is still sold, but this one is rare (one sold in July on Reverb for $800 used + shipping).

My Thinline Tele has a couple of unusual features: 24.75" (LP/SG) scale length. 7.25" radius neck.
IMG_3457 - Copy.JPG


My Squier JM Jazzmaster has the trem unit moved closer to the bridge for a better break angle. Many of my Squiers have unusual features that aren't worthy of mentioning.
 

Tricone

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It’s a bit hard to see in the picture but is that guitar an archtop? I know she usually plays a Guild Artist Award guitar. It looks like the same pickup setup and everything.
Yes. It is slightly arched. Flip Scipio built it for her. He was the head luthier making Archtop guitars for Guild. He hooked Mary up with an original DeArmond Rhythm Chief floating pickup for the Convertible. It is recessed into the top of the Convertible and not floating.

Here is a video where she talks about her gear and the build. Julian Lage and Mike Okazaki also discuss their gear. Okazaki had Koll build a Les Paul style solid body with a six pole custom Charlie Christian p/u. I love this kind of stuff.

 

Tricone

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Micro-Frets tried hard to be different, but their quirks had a logic to them. The short scale was thought to be easier to play. The roller knobs apparently appealed to Fender offset players. The big metal ʍ... I don't know, maybe they wanted to appeal to seagulls. And the adjustable nut really did help with intonation.

GRLUIQh.jpg
If this is yours, congratulations. That is one sweet looking guitar.
 

Alex_C

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well tuning with a tuner is not so difficult. time gain maybe ? agreed on the ear part though.
MAybe we will get a device to automatically play the right note if you do a clam.
Guitar real-time autotune. That would make pop even more plastic sounding!
 

LOSTVENTURE

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I was actually just wondering if they still made self tuning guitars? I remember when Gibson introduced those. I can see other items being automated and making life a lot easier (such as a dishwasher, or washing machine). I have been playing for more than 30 years and can absolutely say that it takes maybe a minute or two to tune your guitar by ear or with a tuner. I always had a feeling no other brand other than Gibson was going to take on this feature. Am I wrong for saying that?!
There is a reason that nobody copied it. It was not easy to work with, and manual tuning was a genuine PITA. And setting intonation could take hours, literally. That was 2015 and it only lasted through that years models if my memory serves me.
 

LOSTVENTURE

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Probably the most unique, and usable feature that I've encountered was the tone controls on my Peavey T60 (1979). As you turned down the tone control. one for each pickup, the pickup went from humbucker to single coil. If it were not for the fact that the guitar weighed just over a ton, it could have been a great stage tool.
 

Alex_C

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Deeve

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Then i play a lot of jazz ! But think about a switch which is set to the E pentatonic. You play some sort of c note, and it switches automatically to a b note ! I will buy 2 of them.
Actually i will buy any devices which replace white noise for any wrong notes.


You might need to lower your volume for that one. Interesting.

this recording compares favorably w/ Lou Reed's Metal Machine Music
(barely) o_O
 

jwguitar

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I'm pretty sure mine was made in Korea in 2007. IIRC, they moved production to Korea the year before.

- D
That timeline sounds about right. They were the first Korean made guitars that I remember I thought were equal quality to what the American and Japanese guitar manufacturers were making at that time.
 

jwguitar

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Probably the most unique, and usable feature that I've encountered was the tone controls on my Peavey T60 (1979). As you turned down the tone control. one for each pickup, the pickup went from humbucker to single coil. If it were not for the fact that the guitar weighed just over a ton, it could have been a great stage tool.
You know the Peavy T-60 is now starting to get the respect it deserves after nearly 45 years. They were very heavy from what I have heard. There are a few guitars that I know that you can get with the tone knob to split the pickups. i have a Washburn Idol guitar and that does the same thing albeit it is a bit lighter and more ergonomic than a T-60! Here is the Washburn I am referring to below:

 
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