kennl
Tele-Afflicted
depends on the application
onstage - find a cable that does not tangle, has zero microphonic and good shielding
added points for rugged jacket that can withstand the impact of a dropped cymbal during load-out
studio - short, low-capacitance, well-shielded
band-aid - low or high capacitance cables of variable lengths can impact the EQ of the signal chain, like a buffer
I use a 1960's gray coil cable that rolls off some of the string noise I get playing slide on round wounds
onstage - find a cable that does not tangle, has zero microphonic and good shielding
added points for rugged jacket that can withstand the impact of a dropped cymbal during load-out
studio - short, low-capacitance, well-shielded
band-aid - low or high capacitance cables of variable lengths can impact the EQ of the signal chain, like a buffer
I use a 1960's gray coil cable that rolls off some of the string noise I get playing slide on round wounds