Epiphone Explorer Korina Inspired by Gibson New '23 Review - After a week of hand wringing I get my hands on one

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Full on angst and hand wringing, I missed the memo (somehow) and Epiphone drops the brand new SOLID Korina wood 2 piece Explorer with real Gibson Burstbucker pickups, Mallory cap, and Switchcraft toggle and CTS pots - new THICK neck, and ultra lightweight from reviews I had been reading.
What??
I have been chasing after a Korina Explorer for 6 years, without wanting to spend tons of cash for one. I played a $400 priced MIC '16 with the Korina laminate top of mystery wood (alleged to be Korina scraps - and other things…) Yeah, I know "Korina" is a made up name for a finish, but let's not split hairs and agree this darn wood should properly be actual white African Limba wood to be proper 1958 Gibson Explorer / V spec.

The recent MIC 2016 ‘limited edition’ Epi Explorer guitar had way too thin of a neck - that was the deal killer, and it also didn’t have that yellow tint to it like old ’58 Korina natural models had been. Was more of a dark orange / dark finish and it looked almost exactly like a mahogany natural vintage 70/80s Explorer I already have. Otherwise though, a fine guitar. A fine China built guitar. Impressive. So a let down, and modern MIC were wiped off my radar.

Looked at several MIK 90s Korina laminate Explorers, but they all fell through. Heavier, and not solid bodies. But they do have thicker 'Slim taper D' necks, thicker than more recent MIC models. I have a '04 stable mate, MIK Epiphone Explorer Goth and it's a quite nice guitar. That guitar skates the line of being too thin but being just thick enough for me to feel good.


I was stunned to see this new "Inspired by Gibson" one came out of nowhere, and that it had a big fat neck!!!
I was almost worried it could be too fat…

So I find not 1 but 2 listed in my local NH music store. After this first batch made had all sold out I guess in 3 days. And when I got there, one had been sent back due to neck cracks (unclear if real or simply finish cracks at pocket). They held it overnight for me and I went in with a stack of cash in my pocket just in case. So here it is…


Epiphone 2023 Inspired by Gibson serial # 22xxxxxxxxx Korina new model.

The neck - it’s PERFECT. It’s basically ‘unremarkable’ in the very best way. Very very natural finger and hand feel on the neck. All up the neck. It doesn’t feel ‘thick’ or ‘too thick’. I was worried from the specs it might be ‘too thick’ for even me. Not at all. It’s maybe the most perfect neck profile feel of any guitar I’ve ever felt / played / owned. It’s a joy. If it were up to me every guitar would have this neck!

The body:

Well, first of all the guitar weighs nothing. And to be honest it’s a little off putting, in fact. It almost feels like a toy / balsa wood in hand. The body is so light the headstock dives just a little sitting down. But it’s nothing at all and not noticeable in the least playing it sitting down. No effort whatsoever, and no dive playing and no effort to balance it.

The grain looks very very light. The two SOLID wood pieces are joined very well in the center and the neck joint is great looking / smooth, no stepped heel.

Low action, quite low, very nice. The 2nd fret buzzed on the B and high E string. Didn’t detect other fret buzz but didn’t play the entire neck every note.

I love the two piece solid body description of this guitar and the thick neck. Not a shredder / thin neck guy at all.


You know? This guitar is just a pass for me. It doesn’t feel premium. I’m sorry but I have 3 guitars that blow this away from the feel. Not a cork sniffer - 180 degree the opposite. I only buy low to ultra low priced guitars. I’ve also had some superb luck buying.


My Washburn A20V made in Japan by Yamaki, of course is in whole different league(s) above this one.
The unknown maker two piece mahogany bodied guitar (Vt Mystery) is a much finer guitar.
Even my first real guitar I bought for $100 and flew back from Florida in a towel, the ‘Gig’ Explorer made in Japan bolt on 25” scale guitar has much better craftsmanship / feel.

I really can’t put my finger exactly on that wood and finish. I don’t find the ‘satin’ light poly finish appealing. The wood - how can it weigh so little and have so little grain compared to a Gibson? The $7999 Gibson Korina flying V on the wall - it’s Korina wood / grain / finish was so next level looking.
Also, I'm sorry but that headstock is not right. It's cut too short / small. It's nice, but my MIK '04 Goth has a perfect length longer sweet / evil looking headstock. This is small like the Galitikon Ghosthorse and the Lee Malia Walnut finish Explorer I recently played in Cincinnati this year. Btw, of any option, that Lee Malia is a fine Explorer.

Published figures on past Korina wood Gibsons, Orville by Gibson, and one off makers are all much heavier.

Also, I quickly lapped a IBG Flying V Korina ’23. I thought it looked and somehow felt a little better. Very nice neck. High action. Didn’t spend much time with it at all as I’m not a ‘V’ guy.

Pots and knobs felt very good, very solid and good action.

Guess what did feel good in the shop?!?


Ghosthorse Galaktikon on the rack didnt like the neck, much too thin. Didn’t feel premium. Absolutely no dice.

Epiphone Extura (24 fret, body with wrong proportions)- even worse! Thin neck, skinny neck / nut - i actually couldn’t even play it it was so awful. Fingers all mis-aligned all over the cowboy chords. 100% no way - ever.

Surprise! The humble (****ty) plywood Cort Effector in black marked down to $279 manager’s discount. Actually ! It has nice neck. And wouldn’t you know what? This bolt on neck guitar actually had better sustain than the Epiphone Korina! No, I’m not kidding.

First time handling a cheap Cort Effector. The much maligned, lesser loved plywood guitar.
I don’t remember it feeling particularly heavy.
But what was right - was the neck. It was very good.

Also it was extremely resonant. Much more noticeably than this new Epiphone Korina ’23 !!
Also more so than the Ghosthorse and Extura. Now I know we are comparing a bolt on neck of 25.5” scale vs. the Gibby standard 24.75” But still, it was very noticeable difference.

I toyed with the idea of buying the Effector, and probably will casually look for a cheap copy.

I will try to keep my eye out for other units of the ’23 Korina solid IBG Explorer in case there are better ones. And indeed I read and watched (anything I could find on it) and saw Norm’s Rare Guitars video and they showed 2-3 of these new Epi Korina Explorer guitars and the wood grain looked much much better.

I was near certain I would buy one of these, and was pretty stunned I ruled it out (for now). If they put a real Korina wood (and not maybe the ‘Philippine mahogany’ or Luaun or weird local cheap tree or too young tree or whatever is going on here - I think I’d be in).

My wish list, fix the headstock, make it properly longer, get real grained wood - even making it heavier. Keep that magnificent neck!!! It can't be improved - what I felt. Glossier finish - even poly if need be would be better. The satin black finish on my Goth somehow even looks more impressive / appropriate on that black model than this one - although I would prefer a traditional gloss finish on the Goth as well.
My plan had been to sell the Goth after I score a Korina finish Explorer... but so far I'm holding on to that Goth although it never gets played...
 
Last edited:

Swirling Snow

Friend of Leo's
Gold Supporter
Joined
Dec 4, 2021
Posts
3,410
Age
76
Location
No Dakota
That's quite a post! I can admire a man on a mission. I also have an appreciation for... "inexpensive" guitars. I have a bottom-of-the-line Samick made of nayto that's become my main guitar since the Les Paul got a doctor's note (11.5 lbs). I swear it's made of "old growth" nayto as it rings like a '62 SG I had.

Just curious, who's your favorite store in New Hampshire?
 

StrangerNY

Poster Extraordinaire
Gold Supporter
Joined
Sep 6, 2010
Posts
6,448
Location
Somewhere between here and there
I will try to keep my eye out for other units of the ’23 Korina solid IBG Explorer in case there are better ones. And indeed I read and watched (anything I could find on it) and saw Norm’s Rare Guitars video and they showed 2-3 of these new Epi Korina Explorer guitars and the wood grain looked much much better.

FYI - the day I went to Norm's back in March, some cat came in and bought one while I was there. I'd give them a call on Tuesday.

- D
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
The place I went (for the first time) was Manchester Music Mill. Nice folks there during my visit.
I've bought quite a few guitars in the past six years, none over $400. I've sold off 8 that I decided that weren't for me.
I got super lucky once (twice actually) with a close to free guitar that's my halo guitar after I got it some parts and did my first complete setup. And a free humble Ibanez that is a fantastic acoustic with obscenely low action (for an acoustic).
I've probably bought about 7 explorers at this point and sold 1, have another 1 for sale.

And... there's no way I'd play an 11 pound guitar. I don't even like hitting the 9 lb. mark. The 7 something is heaven. One of the reasons I was excited for this new IBG Explorer guitar being so light.
 

3bolt79

Tele-Meister
Joined
Nov 10, 2018
Posts
111
Location
In the woodshed
Full on angst and hand wringing, I missed the memo (somehow) and Epiphone drops the brand new SOLID Korina wood 2 piece Explorer with real Gibson Burstbucker pickups, Mallory cap, and Switchcraft toggle and CTS pots - new THICK neck, and ultra lightweight from reviews I had been reading.
What??
I have been chasing after a Korina Explorer for 6 years, without wanting to spend tons of cash for one. I played a $400 priced MIC '16 with the Korina laminate top of mystery wood (alleged to be Korina scraps - and other things…) Yeah, I know "Korina" is a made up name for a finish, but let's not split hairs and agree this darn wood should properly be actual white African Limba wood to be proper 1958 Gibson Explorer / V spec.

The recent MIC 2016 ‘limited edition’ Epi Explorer guitar had way too thin of a neck - that was the deal killer, and it also didn’t have that yellow tint to it like old ’58 Korina natural models had been. Was more of a dark orange / dark finish and it looked almost exactly like a mahogany natural vintage 70/80s Explorer I already have. Otherwise though, a fine guitar. A fine China built guitar. Impressive. So a let down, and modern MIC were wiped off my radar.

Looked at several MIK 90s Korina laminate Explorers, but they all fell through. Heavier, and not solid bodies. But they do have thicker 'Slim taper D' necks, thicker than more recent MIC models. I have a '04 stable mate, MIK Epiphone Explorer Goth and it's a quite nice guitar. That guitar skates the line of being too thin but being just thick enough for me to feel good.


I was stunned to see this new "Inspired by Gibson" one came out of nowhere, and that it had a big fat neck!!!
I was almost worried it could be too fat…

So I find not 1 but 2 listed in my local NH music store. After this first batch made had all sold out I guess in 3 days. And when I got there, one had been sent back due to neck cracks (unclear if real or simply finish cracks at pocket). They held it overnight for me and I went in with a stack of cash in my pocket just in case. So here it is…


Epiphone 2023 Inspired by Gibson serial # 22xxxxxxxxx Korina new model.

The neck - it’s PERFECT. It’s basically ‘unremarkable’ in the very best way. Very very natural finger and hand feel on the neck. All up the neck. It doesn’t feel ‘thick’ or ‘too thick’. I was worried from the specs it might be ‘too thick’ for even me. Not at all. It’s maybe the most perfect neck profile feel of any guitar I’ve ever felt / played / owned. It’s a joy. If it were up to me every guitar would have this neck!

The body:

Well, first of all the guitar weighs nothing. And to be honest it’s a little off putting, in fact. It almost feels like a toy / balsa wood in hand. The body is so light the headstock dives just a little sitting down. But it’s nothing at all and not noticeable in the least playing it sitting down. No effort whatsoever, and no dive playing and no effort to balance it.

The grain looks very very light. The two SOLID wood pieces are joined very well in the center and the neck joint is great looking / smooth, no stepped heel.

Low action, quite low, very nice. The 2nd fret buzzed on the B and high E string. Didn’t detect other fret buzz but didn’t play the entire neck every note.

I love the two piece solid body description of this guitar and the thick neck. Not a shredder / thin neck guy at all.


You know? This guitar is just a pass for me. It doesn’t feel premium. I’m sorry but I have 3 guitars that blow this away from the feel. Not a cork sniffer - 180 degree the opposite. I only buy low to ultra low priced guitars. I’ve also had some superb luck buying.


My Washburn A20V made in Japan by Yamaki, of course is in whole different league(s) above this one.
The unknown maker two piece mahogany bodied guitar (Vt Mystery) is a much finer guitar.
Even my first real guitar I bought for $100 and flew back from Florida in a towel, the ‘Gig’ Explorer made in Japan bolt on 25” scale guitar has much better craftsmanship / feel.

I really can’t put my finger exactly on that wood and finish. I don’t find the ‘satin’ light poly finish appealing. The wood - how can it weigh so little and have so little grain compared to a Gibson? The $7999 Gibson Korina flying V on the wall - it’s Korina wood / grain / finish was so next level looking.
Also, I'm sorry but that headstock is not right. It's cut too short / small. It's nice, but my MIK '04 Goth has a perfect length longer sweet / evil looking headstock. This is small like the Galitikon Ghosthorse and the Lee Malia Walnut finish Explorer I recently played in Cincinnati this year. Btw, of any option, that Lee Malia is a fine Explorer.

Published figures on past Korina wood Gibsons, Orville by Gibson, and one off makers are all much heavier.

Also, I quickly lapped a IBG Flying V Korina ’23. I thought it looked and somehow felt a little better. Very nice neck. High action. Didn’t spend much time with it at all as I’m not a ‘V’ guy.

Pots and knobs felt very good, very solid and good action.

Guess what did feel good in the shop?!?


Ghosthorse Galaktikon on the rack didnt like the neck, much too thin. Didn’t feel premium. Absolutely no dice.

Epiphone Extura (24 fret, body with wrong proportions)- even worse! Thin neck, skinny neck / nut - i actually couldn’t even play it it was so awful. Fingers all mis-aligned all over the cowboy chords. 100% no way - ever.

Surprise! The humble (****ty) plywood Cort Effector in black marked down to $279 manager’s discount. Actually ! It has nice neck. And wouldn’t you know what? This bolt on neck guitar actually had better sustain than the Epiphone Korina! No, I’m not kidding.

First time handling a cheap Cort Effector. The much maligned, lesser loved plywood guitar.
I don’t remember it feeling particularly heavy.
But what was right - was the neck. It was very good.

Also it was extremely resonant. Much more noticeably than this new Epiphone Korina ’23 !!
Also more so than the Ghosthorse and Extura. Now I know we are comparing a bolt on neck of 25.5” scale vs. the Gibby standard 24.75” But still, it was very noticeable difference.

I toyed with the idea of buying the Effector, and probably will casually look for a cheap copy.

I will try to keep my eye out for other units of the ’23 Korina solid IBG Explorer in case there are better ones. And indeed I read and watched (anything I could find on it) and saw Norm’s Rare Guitars video and they showed 2-3 of these new Epi Korina Explorer guitars and the wood grain looked much much better.

I was near certain I would buy one of these, and was pretty stunned I ruled it out (for now). If they put a real Korina wood (and not maybe the ‘Philippine mahogany’ or Luaun or weird local cheap tree or too young tree or whatever is going on here - I think I’d be in).

My wish list, fix the headstock, make it properly longer, get real grained wood - even making it heavier. Keep that magnificent neck!!! It can't be improved - what I felt. Glossier finish - even poly if need be would be better. The satin black finish on my Goth somehow even looks more impressive / appropriate on that black model than this one - although I would prefer a traditional gloss finish on the Goth as well.
My plan had been to sell the Goth after I score a Korina finish Explorer... but so far I'm holding on to that Goth although it never gets played...
Thanks for the post. I was on the fence on that one or a Gibby. You saved me some money and hassle.
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Well shut my mouth.
One is inbound being shipped to me after all… will do a deep look into it.
The quick story: found a screaming deal on a return. The other note: it’s gutted. Only guitar w neck. Seller including guitar strap buttons and a new nut he bought for it.
Stay tuned…

(Also went on a little buying bender this week. Bought a Synsonics (toy / travel) Explorer model that just arrived yesterday and also bought what appears to be a 2010 Epiphone Explorer someone did a “Clapton Cut” too this past Tuesday and after a significant truss rod adjustment it’s shot to the top of my favorites as a player.
 

Mekhem

Tele-Afflicted
Joined
Oct 31, 2010
Posts
1,356
Location
Minneapolis
Someone gutted one of these already?

Anyway - I will say that the one i had i really like the neck and the pickups. Severe neck dive was the only reason I returned it. severe
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Yes, Someone did gut one of these. I guess this was a customer new guitar return. They likely found fault with the finish cracks in the neck and returned it. It was listed (and I presume sold) by a company that checks Epiphone returns and repairs and re-certifies them... And a third party Reverb person bought it. I would guess he stripped it but I don't know.
The one I played in the store had minor very minor neck dive. I play seated so a little dive is no big deal, especially when you have the nice lower bout on an explorer to sit on your leg.
I have a few headless Steinbergere licensed guitars and an Austin Hatchet. THOSE have severe neck dive. The kickstand on the Spirit makes it tolerable.
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Unboxed it last night :)
Arrived in very good shape.
Early specs:
The guitar and neck only (not even the nut or TRC is on guitar) weigh in at 5lbs 2oz.
That’s pretty damn light even without the hardware.
Thickness. Didn’t feel thick without strings. Tried to simulate that and felt a little more substantial.
Neck Measures at :
1st fret: 22mm+ or approx 14/16th" or .875”
12th fret: 25.5mm or 1”
I thought the first fret would be a little thicker but I guess it’s within ‘58-59 Gibson specs for thickness if it’s not on the high side.
The grain looks pretty darn nice. Much nicer than the first one I saw described above at Manchester Music Mill NH. I mean, much nicer.
That’s the reason I pulled the trigger on this one - was best of any I see for sale online. The grain wrap over the top edge is fantastic. Looks almost tiger striped. Wraps cleanly around.
Obvious long tenon joint. See pic.
Two piece solid wood body easy to verify. Pics at 1am. Will do better soon.
 

Attachments

  • IMG_3920.jpeg
    IMG_3920.jpeg
    278.9 KB · Views: 266
  • IMG_3919.jpeg
    IMG_3919.jpeg
    266 KB · Views: 230
Last edited:

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Still working on this build....
After buying and waiting for 6 in line gold Klusons from Korea for likely a fender, I found that did not fit. Quite confused, thought 116mm spacing would be close enough.
I finally got a set of 6 in line Klusons that are black split posts and should be Gotoh as they are stamped "Japan". To anyone trying to sort this out: it looks like the spacing from center to center the outside tuners (#1 and #6) needs to be 119mm. Not 116mm. The gold Korean 6 on a strip tuners fell short and the bushings would not mount. But these (probably Gotoh SD91 - it was unknown by seller) DO fit :)
They are lightweight and have a very deliberate tight smoothness to them. I like them very much and I haven't even strung them up!

I custom cut a sparkly white pick guard, rear control plate cover and truss rod cover from scratch in a band saw and evened out with hand metal filing.
I had to re-cut down the guard to make it look a little closer to the '58 thing.
Next: Installed Epiphone Locktone chrome stopbar tailpiece. Using I imagine the standard epiphone stud inserts that came with it. Had to really push those bushings with a lot of force.

I bought a set of "Blizzard of '59" pickups from BYO Guitar. Got those in person from very nice owner. These are PAF style zebra pickups and read about 7.38 and 8.15 for neck and bridge. He wrote down the exact reading on them from his meter when I was there. I got these on the strength of many testimonials here, particularly from member Antiqua and his analysis post. I have an original era Seymour Duncan 59 bridge installed in the neck of a mahogany explorer, and a Wolfetone Dr Vintage neck installed in my other 'Korina' (Mahogany) Epiphone Explorer Clapton cut. They both sound amazing on my hybrid tube/SS Vox.
Also got a set of amber bell knobs for the pots from BYO.

Big question: what the heck is the bridge from this guitar?
I got an Epiphone Locktone chrome bridge and mounts and studs. The bridge is the correct spacing and should be fine. But the bushings for the studs are far too big for the holes in the Explorer. It appears that the holes had bushings in them, and they were about 8mm or ..? The bridge that comes stock is described as 'ABR-1 style bridge' which I am not sure what the 'style' part means.
Are there very narrow bushings that can accept something like a 4 or 6mm stud with thumbwheels?

Still need to source 500K pots, wiring and toggle switch. Got a Switchcraft jack, and will cut another jack plate for that from the sparkly stuff. Anxious to get this playing!
 
Last edited:

Zepfan

Doctor of Teleocity
Joined
Nov 30, 2013
Posts
13,813
Location
Horn Lake, MS
I bought a Epiphone Explorer (not sure of year) with Korina body and it's a set neck.
The "Korina" is just 1/4" top and bottom with Mahogany slab middle.
After a good setup(bought used) , putting a good nut on it, it became a good player and sounds great.
Older Epiphone's were not good quality, but started improving and have become very good now. I bought 2 new Epiphone SG guitars last month and they are great quality. One needed a trussrod adjustment (Sweetwater demo), but that was all.
Sometimes you just get a tone dud.
 

Mark617

Tele-Holic
Joined
Jan 24, 2021
Posts
968
Age
57
Location
Massachusetts
The place I went (for the first time) was Manchester Music Mill. Nice folks there during my visit.
I've bought quite a few guitars in the past six years, none over $400. I've sold off 8 that I decided that weren't for me.
I got super lucky once (twice actually) with a close to free guitar that's my halo guitar after I got it some parts and did my first complete setup. And a free humble Ibanez that is a fantastic acoustic with obscenely low action (for an acoustic).
I've probably bought about 7 explorers at this point and sold 1, have another 1 for sale.

And... there's no way I'd play an 11 pound guitar. I don't even like hitting the 9 lb. mark. The 7 something is heaven. One of the reasons I was excited for this new IBG Explorer guitar being so light.
Tell me about the explorer you’re thinking about parting with😎
 

Mark617

Tele-Holic
Joined
Jan 24, 2021
Posts
968
Age
57
Location
Massachusetts
You know I’m a big Epiphone fan. Probably because I have hands like feet and they used to be priced right. But honestly, they have gotten insane lately.
 

1 21 gigawatts

Tele-Afflicted
Joined
Aug 24, 2020
Posts
1,688
Age
51
Location
Florida
If you don't like the matte finish, you can polish it with car polish/swirl remover. I really like the finish on my G-400 after spending about 20 minutes polishing a bit of shine into it.
 

NoTeleBob

Poster Extraordinaire
Joined
Feb 12, 2020
Posts
6,113
Location
Southwestern, USA
If you don't like the matte finish, you can polish it with car polish/swirl remover. I really like the finish on my G-400 after spending about 20 minutes polishing a bit of shine into it.

I think that depends on the finish. Some older Epi were a satin poly that was rather thick. Those can be polished. The newer “faded“ finish, Guitars have an unfilled body and very thin finish. They don’t polish up so well. Be careful with the thin finish.
 

NoTeleBob

Poster Extraordinaire
Joined
Feb 12, 2020
Posts
6,113
Location
Southwestern, USA
Still working on this build....
After buying and waiting for 6 in line gold Klusons from Korea for likely a fender, I found that did not fit. Quite confused, thought 116mm spacing would be close enough.
I finally got a set of 6 in line Klusons that are black split posts and should be Gotoh as they are stamped "Japan". To anyone trying to sort this out: it looks like the spacing from center to center the outside tuners (#1 and #6) needs to be 119mm. Not 116mm. The gold Korean 6 on a strip tuners fell short and the bushings would not mount. But these (probably Gotoh SD91 - it was unknown by seller) DO fit :)
They are lightweight and have a very deliberate tight smoothness to them. I like them very much and I haven't even strung them up!

I custom cut a sparkly white pick guard, rear control plate cover and truss rod cover from scratch in a band saw and evened out with hand metal filing.
I had to re-cut down the guard to make it look a little closer to the '58 thing.
Next: Installed Epiphone Locktone chrome stopbar tailpiece. Using I imagine the standard epiphone stud inserts that came with it. Had to really push those bushings with a lot of force.

I bought a set of "Blizzard of '59" pickups from BYO Guitar. Got those in person from very nice owner. These are PAF style zebra pickups and read about 7.38 and 8.15 for neck and bridge. He wrote down the exact reading on them from his meter when I was there. I got these on the strength of many testimonials here, particularly from member Antiqua and his analysis post. I have an original era Seymour Duncan 59 bridge installed in the neck of a mahogany explorer, and a Wolfetone Dr Vintage neck installed in my other 'Korina' (Mahogany) Epiphone Explorer Clapton cut. They both sound amazing on my hybrid tube/SS Vox.
Also got a set of amber bell knobs for the pots from BYO.

Big question: what the heck is the bridge from this guitar?
I got an Epiphone Locktone chrome bridge and mounts and studs. The bridge is the correct spacing and should be fine. But the bushings for the studs are far too big for the holes in the Explorer. It appears that the holes had bushings in them, and they were about 8mm or ..? The bridge that comes stock is described as 'ABR-1 style bridge' which I am not sure what the 'style' part means.
Are there very narrow bushings that can accept something like a 4 or 6mm stud with thumbwheels?

Still need to source 500K pots, wiring and toggle switch. Got a Switchcraft jack, and will cut another jack plate for that from the sparkly stuff. Anxious to get this playing!

That bridge sounds like a “modern” ABR–1. It’s the old style, ABR-1, but instead of mounting old-school style directly into the body with wood, screw type mounts, the screws thread into bushings in the body. But the bushings are smaller as you see – more like 8 mm.

They make some “conversion“ bushings in that size. Gibson Nashville Bridge bushings are also that size. Threads may vary.
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Hey thanks! So there are very small bushings for some of these then. So my eyes don't deceive me with the vertical channels into the body of my epiphone.

Ok, for guitars for sale:
2004 MIK Epiphone Explorer Goth with a Seymour Duncan El Diablo custom shop in the bridge. At moment it has SD Jazz in neck, but I'm likely to put back an original spec Epi neck for it. I swore I'd never sell this one, but wound up with 2 korina explorers (Epi) and 1 mahogany natural - more my style and already have a MIJ black explorer in 25.5" scale length for variety)

1985 Hohner EX Artist explorer neck thru. (Ferrari red). Double Locking trem. Brass nut
2022 Firefly FFLX Explorer transparent blue (white). Set neck, brand new in box with everything.
1977 Epiphone NV-180 (Nova series) jumbo acoustic - extraordinarily rare.
1970 Aria 1532T Vintage Made in Japan - super mint gorgeous offset
1993 Epiphone PR5E/B MIK (Maybe / unsure selling), black, 'snowflake' inlays, 'Florentine' style cutaway (beautiful). V shaped neck. I fell back in love with this one, so may not sell (although I love another acoustic more).
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
Here's some better pics. I am still struggling to build this guitar.
I got bushing / insert from Gibson that fits perfectly for the bridge, but I only have one.
Still working to figure out how to source a 2nd one.
IMG_5272.jpg
IMG_5267.jpg
IMG_5285.jpg
The grain wrapping around the body here is just beautiful. It really is a thing of beauty looking down at it.
 

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
I’ve been meaning to follow up.
Let me just say I Adore this guitar.

I finally (with the help of Gibson) got a second post for the bridge.
I had bought a lightly used Epi LockTone bridge and tailpiece set.
The standard LockTone bridge had the typical wider bridge post holes.
So, what I did is find something close and made spacers / sleeves for the bridge. I had to slightly enlarge the hole with the correct drill bit and hand file down the outside diameter of the aluminum sleeve I found.
I got a nice tight fit. Got a very long 4mm bolt at local hardware store. Sawed off the head and cut it in half and screwed the two posts into the body inserts.

Result? Well at first, I thought I was going to be selling this guitar off. I was bummed. But then I realized the nut I got included with this guitar had never been installed and was far too tall. It made the action super high and the guitar setup a mess. I had lowered the bridge all the way. It was a buzzing mess.
When I realized what the real problem was I unstrung the guitar and marked the nut with red sharpie all around the base and then hand filed it off in one go. Not very smart I know. I almost went too far. Restrung it back up, raised the bridge and oh my gosh!!!
Suddenly the guitar is heavenly.

This thing rings and is so resonant. There are harmonics in this guitar I’m not sure I’ve heard before. It’s just beautiful. Acoustically unplugged I mean, there’s a wave of harmonics that wash over the guitar body.

The neck, again, IS PERFECT.
If I could I could not make a finer neck. I’ve bought 38 guitars and this is hands down (or hands on) the best. Super natural feel. Nice thickness - not too thick. Certainly much more substantial than the typical “slim taper D” neck.

It’s catapulted to either my #2 or #1 favorite guitar of all time.
It entices me to play every day. It always makes me smile!

This guitar is an absolute joy. And I do love the flush heel on the neck joint at the body and the beautiful color and wood of this guitar.

The tones unplugged are just terrific.
 
Last edited:

GreenMagicMan

Tele-Meister
Joined
Jan 1, 2019
Posts
247
Location
NH
IMG_0801.jpeg
 

Attachments

  • IMG_0806.jpeg
    IMG_0806.jpeg
    153 KB · Views: 29
  • IMG_0803.jpeg
    IMG_0803.jpeg
    156.7 KB · Views: 28
  • IMG_0802.jpeg
    IMG_0802.jpeg
    306.9 KB · Views: 25
  • IMG_5300.jpeg
    IMG_5300.jpeg
    166.3 KB · Views: 30
Top