Here's cut/paste from a previous post of mine re: Red Fangs... Only tried them a short while but I dig them....
Cool,
Greg V.
Eminence Red Fang and Alnico speaker musings
Posted: Fri Jun 04, 2004 9:10 pm
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Hi,
I had just a few minutes to try out the new Eminence Red Fang Alnico 12" speaker, 30 watts power rating I think? I heard it thru a 1x12 cab hooked up to a BF Deluxe Reverb. I was pretty impressed for a new=tight speaker. Nice rich lows, not boomy, full throated mids and a airy top end.
When pushed it felt VERY good. I have two Celestion Alnico Blues in my '66 Pro Reverb that I love very dearly, my favorite speakers.
More testing to be done with the Fang but it's looking good!
Alnico speakers feel like this to me: Imagine a rubber beach ball and your pickin' hand is sqeezing the ball. The harder you squeeze the ball (or hit the strings in this case) it compresses and pushes back at you. It's like the speaker is dancing with your hands thru the poweramp. Very dynamic, organic and breathing with your soul...
I love speakers that are like a "Spider Web" in sensitivity, the slightest variation in hand attack translates to an explosion of overtones.
My two favs are the 15 watt Alnico Blues as mentioned as well as the Celestion G12H30 which is a 30 watt ceramic. I had the luxury to set up a speaker shoot out with a bunch of same brand 1x12 open back cabs, each loaded with Blues, G12H30, V30, Greenback and Classic 80. This allowed very quick changes in speakers, in seconds. I used my '66 Pro Reverb to hit the speakers hard with my Fender Nocaster Tele.
My two main speaker tests for my ears are:
#1 Lively test.
Find a few notes that "drop" into feedback without hitting the strings at all. The Blues and G12H30 were the only two to grab the overtones quickly and smear into feedback and coax the different harmonics within the same note by changing proximity to the speaker cabs. To me, it meant that these two speakers are living in the "Spider Web" and full of nuance and detail.
#2 Fullness Test for high end.
I play only a few notes, 3-4 at most on the bridge pickup, using only the high E or B strings above the 12th fret, no vibrato. It helps to hear the girth in the high end and complexity to the note. For me if the speaker is fat in the highs (not murky) the lows and mids are full of high cholesterol and rich in harmonics. I then play lower full chords to hear string to string seperation and see if the notes melt together like chocalate in the sun. Again the Blues/G12H30 ruled.
The G12H30 is not a hard speaker at all to me, possibly since its a lower wattage ceramic? The G12 when pushed kinda rolls over on itself and folds the bass closer to an alnico, to me. Many Higher wattage Ceramics, such as V30's are much harder to me, like squeezing a bowling ball to use the analogy from above.