Saw it yesterday. It was actually better than I expected it to be. Also, the directorial choices, regarding which aspects of this cautionary tale would be magnified, I found interesting and surprising.
There were quite a few details that were correct and purposeful, especially costuming and set design, props, etc., and artistic license, while obviously veering and reaching, ultimately seeks pathos.
Celebrity, and the tragedy mythos, is handled in an interesting way, and particular aspects of context are given more attention here than would be expected, given recent trends.
Overall, it clearly favors the perspective of one person very close to Elvis, yet manages to paint a fairly comprehensive portrait of a man who lost himself to the vultures, and best and worst intentions, of American dreaming.
The sacrificial nature of a life lived under the scrupulous lens of fame, show business, and popular opinion, is here accurately, and morbidly, laid bare, if only in a sliver of the breadth of it’s desperation, and complexity.
There were quite a few details that were correct and purposeful, especially costuming and set design, props, etc., and artistic license, while obviously veering and reaching, ultimately seeks pathos.
Celebrity, and the tragedy mythos, is handled in an interesting way, and particular aspects of context are given more attention here than would be expected, given recent trends.
Overall, it clearly favors the perspective of one person very close to Elvis, yet manages to paint a fairly comprehensive portrait of a man who lost himself to the vultures, and best and worst intentions, of American dreaming.
The sacrificial nature of a life lived under the scrupulous lens of fame, show business, and popular opinion, is here accurately, and morbidly, laid bare, if only in a sliver of the breadth of it’s desperation, and complexity.