John, I didn't mean to imply that the Gold was not made in England.
hmm probably a tad darker than the ceram that came with the DRRI..? which could be good or bad.I have a Celestion Gold, which BTW is made in UK, and it's an amazing speaker for my type of, mainly blues style playing.. There seemed to be something missing that I was getting with whatever the stock speaker is, so I swapped them back.
I still love the Gold in the Torres cab and the DRRI as it was when I bought it
thx..not sure...I have not had luck with EMI's 12'ss..good luck with their 10's..I will look up gb..did not know cone was diffUriah, my apology. I left off a couple of letters that better identify the specific Eminence LEgend to which I am referring. The Emi Legend that FEnder used in the DRRI prior to the JEnsens would of course be the 'clone' of the vintage Jensen C12N, I would think.
The Eminence speaker I am referring to is the LEgend GB128....it is a British cone speaker. The Eminence Private Jack is the 'Red Coat' version..possibly the same speaker with a higher price tag. The two spec out very simularly.
I have been using the GB128's since long before Emi came out with the Patriot and REd Coat series of speakers. I discoverd the GB 128 when I was looking for a higher efficiency speaker to replace the low-efficiency OXfords in a late '60's PRo Reverb. Fender BF/SF circuits seem to love this speaker, ime.
I know that Wally. Just pointing out to those who may think all Celestions are made in ChinaJohn, I didn't mean to imply that the Gold was not made in England.
Yep. To be honest, I haven't quite adapted to the extreme cleans of the Fender yet. I always plug straight into valve amps and achieve the level of 'distortion' I need by just driving the amp. With the DRRI, I have had to resort to using a tube screamer as wellhmm probably a tad darker than the ceram that came with the DRRI..? which could be good or bad.
I'm going to be checking out a Gold in my Mesa LSS.
Yea, but, I have been through about 9 of them..
I'm going to be checking out a Gold in my Mesa LSS.
That is always in my mind also...but I guess I am the eternal tweaker.No offense intended but I would not invest that kind of $ for a stock DRRI. The fact that you've been through 9 speakers should be indicative that the amp won't ever be what you're after unless you gut it and hand wire it.. Perhaps it's not the amp for you either.
That is always in my mind also...but I guess I am the eternal tweaker.
.
I am going to make another post about 2x10 drri..since I love my super..
I have been through many amps, and the drri has the basic fender thang..going....my bandmate had one of those Carrs and dumped it pretty quick, since it was a 1 trick pony. (for him)
Do yourself a favor and test drive a Tone King Imperial as it has many tricks ie., awesome blackface and from tweed to Marshall depending on where you set the mid— bite control, awesome reverb and tube bias tremolo. An incredibly fun amp to play, I prefer it to the Carr.
just out of curiosity, why have been through so many speakers? what have they all been lacking?
as pedalcr8z mentioned, it just might be the wrong amp for you.
then again, the right speaker will make any amp immediately better.
Do yourself a favor and test drive a Tone King Imperial as it has many tricks ie., awesome blackface and from tweed to Marshall depending on where you set the mid— bite control, awesome reverb and tube bias tremolo. An incredibly fun amp to play, I prefer it to the Carr.