distortion. Who was the first to use distortion in Country Music?

Discussion in 'Tab, Tips, Theory and Technique' started by Bandit, May 19, 2019.

  1. Bandit

    Bandit Tele-Meister

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    Who was the first to use distortion in Country Music?
     
  2. Bulldoggio

    Bulldoggio Tele-Meister Silver Supporter

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    Grady Martin, on Don't Worry About Me by Marty Robbins. Recorded in 1961.
     
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  3. Papa Joe

    Papa Joe Friend of Leo's

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    Yep, by accident..
     
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  4. Larry F

    Larry F Doctor of Teleocity Vendor Member

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    Cool! It sounds like a bass trombone. Maybe a synthesizer, too. Also sounds carefully worked out and cleanly played, rhythmically and dynamically. The distortion sounds very tight and artificial. Maestro, maybe? Not sure of the time frame, though.
     
  5. Harry Styron

    Harry Styron Tele-Afflicted Silver Supporter

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  6. kbold

    kbold Tele-Afflicted Silver Supporter

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    Sounds like an oxymoron.
     
  7. fendrguitplayr

    fendrguitplayr Doctor of Teleocity

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    Bob Wills, and his Texas Playboys guitarist Lester Robert “Junior” Barnard on this:

     
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  8. SPUDCASTER

    SPUDCASTER Poster Extraordinaire Silver Supporter

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  9. Slowpoke

    Slowpoke Tele-Afflicted

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    I saw Marty Robbins at a Wembley Country Music Festival in the UK in the mid 70's-ish and he had an Asian looking pedal steel guitar picker who did that distortion riff going thru' a foot pedal which looked like the Boss (yellow) distortion pedal and it sounded just like the record.. S
     
  10. harold h

    harold h Friend of Leo's

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    Red Sovine.

    Those CB radios had tiny speakers, and they distorted like crazy. :D:D
     
  11. brookdalebill

    brookdalebill Tele Axpert Ad Free Member

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    I’ve always heard that Don’t Worry ..... was the first.
    Buck Owens’ Who’s Gonna Mow Your Grass featuring Don Rich’s fuzztone was another later example, circa 1969.
    Are there many others?
     
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  12. elihu

    elihu Poster Extraordinaire

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    Bob Dunn was the guitarist for the pioneer western swing band Milton Brown and his musical Brownies. In 1935 he cut this side using a Rickenbacker Electro A-22 "frying pan" lap steel guitar with an Epiphone amp. Of interest is that he approached it as a trombone player would-being influenced by local Fort Worth trombonist Jack Teagarden.

     
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  13. asatfan

    asatfan Friend of Leo's

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    Brookdalebill beat me to it. Rather odd ball song and sound! Love it, though.

     
  14. Endless Mike

    Endless Mike Friend of Leo's

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    I was just about to post the Buck Owens tune. Thanks for taking care of it for me.
     
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  15. cnlbb

    cnlbb Tele-Afflicted

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