I'm a big fan of the BAMO--two channels of Marshally/Fendery goodness in a box the size of an MXR pedal.
Since I'm a hack player who just noodles around at home, I have no comment on how it works live with a band or what it sounds like with a real musician.
I use it through a clean Fender amp--the pedal produces all the overdrive and the amp is there more or less to set the volume. I can plug it into my ’77 Pro Reverb and have it produce great overdrive at conversational levels.
As far as the sound, with the overdrive low it sounds and acts a lot like an old tweed amp to me. Cranking up the gain, it sounds like a Marshall. It is not super grainy or super smooth, just has the right amount of graininess for me. One thing I like about it over most other pedals is that the overdrive sounds like it is part of the note. When I tried some other pedals it sounded like there was a clean note with an overdrive tone laid on top of it. The BAMO just sounded more organic to me.
I really like its amplike response--it cleans up from the volume control on my guitar much like playing an old tweed amp. To get this effect though, it has to be first in the chain. And each guitar and pickup sounds like itself.
The maker, Jon Blackstone, has amazing attention to detail. There are adjustable dip switches and controls inside and replaceable caps for customizing the tone.
He even etches his own comments for people who get too anal about fooling with the pedal. Here's the pedal with the back off:
And closeups of a bug I found:
And a comment he left:
OK, I'm done with my shilling. Anyone else a fan?
Since I'm a hack player who just noodles around at home, I have no comment on how it works live with a band or what it sounds like with a real musician.
I use it through a clean Fender amp--the pedal produces all the overdrive and the amp is there more or less to set the volume. I can plug it into my ’77 Pro Reverb and have it produce great overdrive at conversational levels.
As far as the sound, with the overdrive low it sounds and acts a lot like an old tweed amp to me. Cranking up the gain, it sounds like a Marshall. It is not super grainy or super smooth, just has the right amount of graininess for me. One thing I like about it over most other pedals is that the overdrive sounds like it is part of the note. When I tried some other pedals it sounded like there was a clean note with an overdrive tone laid on top of it. The BAMO just sounded more organic to me.
I really like its amplike response--it cleans up from the volume control on my guitar much like playing an old tweed amp. To get this effect though, it has to be first in the chain. And each guitar and pickup sounds like itself.
The maker, Jon Blackstone, has amazing attention to detail. There are adjustable dip switches and controls inside and replaceable caps for customizing the tone.
He even etches his own comments for people who get too anal about fooling with the pedal. Here's the pedal with the back off:
And closeups of a bug I found:
And a comment he left:
OK, I'm done with my shilling. Anyone else a fan?