torodurham
Tele-Holic
Came across some black limba, which I like with as many character lines as I can get..I find it much more interesting visually than plain white limba...just my opinion.
Yes..quilt maple.Wow! These are off the chart. Is that a maple top on the tele?
My chambered black limba Tele by Tampa Bay Luthier James LeClair.Came across some black limba, which I like with as many character lines as I can get..I find it much more interesting visually than plain white limba...just my opinion.
That black limba body is some nice looking wood! If you haven't decided on a neck yet, look into white limba. I got a white limba neck on a Carvin and it feels and looks great. No figured grain or anything, but on a neck it doesn't really matter.Came across some black limba, which I like with as many character lines as I can get..I find it much more interesting visually than plain white limba...just my opinion.
I picked up a used set of tone specific bloomcasters on reverb and saved about 150 bucks...don't think I would have got them new..pretty sure they're vintage voiced...so I guess it's wait and see..I'll keep it in mind.Looks great.
What pickups are you planning on using? I have found that my Kornia guitars like more powerful pickups then normal.
I got 2 sweet neck blanks of limba that will match the body pretty close...and they are dead straight quartersawn!.. with figure believe it or not..smokers.That black limba body is some nice looking wood! If you haven't decided on a neck yet, look into white limba. I got a white limba neck on a Carvin and it feels and looks great. No figured grain or anything, but on a neck it doesn't really matter.
I recently received a guitar made of black limba and I am unsure if it's the wood or the build, but it is about as toneful as wet cardboard.
Is this wood usually dark and dull sounding. My guitar is all black limba neck and body with the top wood being Ziracote . It looks beautiful but quite dead sounding. Big expensive disappointment.
Limba is very dense and heavy and can take a long time to fully dry out. I have 6 body blanks that have been in my dehumidified workshop for more than 2 years and are still at 11%. I will probably lightly roast them before using them.I recently received a guitar made of black limba and I am unsure if it's the wood or the build, but it is about as toneful as wet cardboard.
Is this wood usually dark and dull sounding. My guitar is all black limba neck and body with the top wood being Ziracote . It looks beautiful but quite dead sounding. Big expensive disappointment.
Gorgeous stuff. For some other really nice examples take a look at Roger Giffin's T1/T2 models on his website (giffinguitars.com). Drool-worthy!
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I kinda sense that this could be part of the issue in my case. Probably needs to age. The finish is a probably a satin poly and probably doesn't help out alot on my guitar. Also the fact it's an acoustasonic and just isn't going to project a huge toneful acoustic sound anyways.... It is designed as a electronic guitar wearing artistic lumber around it's sound engine. But it sure is pretty and collectable guitar and hopefully is good long term investment. I traded a hand wired amp build for it.Limba is very dense and heavy and can take a long time to fully dry out. I have 6 body blanks that have been in my dehumidified workshop for more than 2 years and are still at 11%. I will probably lightly roast them before using them.
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