chillybilly
Tele-Meister
I loved my Rockerverb 50w Mk I head - at the time I didn't appreciate how good its clean channel actually was. Although the dirty channel was certainly Orange-y I typically used overdrives with it anyway for more midrange. I also got a 2x12 Orange cab but it was very laser-beam-y. It sounded best through a 4x12 Avatar Fender-style cabinet but, as you might expect, transportation of that was a chore and I became the half-stack-in-a-club person I used to view with suspicion. To be fair, there were a couple of gigs/venues where the half stack was entirely necessary and did an excellent job. No replacement for displacement, as the car guys say.
I was going to (and would still) recommend Allen amplifiers. Various models & configurations that are inspired by certain Fender amps but with some nice additional features eg a mid control on most. Allen amps also typically offer a RAW control that adds grit, drive etc. It is really an eye and ear opener and has reduced the need for a compressor or boost or low-gain OD much of the time. Reverb on some Allens is the full 3-knob Fender palette (dwell, tone, mix) or at least a 2-knob (reverb level and a very useful tone control). And the tremolo is killer.
At present it's 22w using 6L6 but can become 35w if changed over to 6V6 and a solid state rectifier.
But...true boutique amps typically come from...boutiques and Allen's namesake founder has sold his operation. During the transition period I'm not sure how much actual production/order fulfillment is happening. I managed to find a lightly used Allen Encore and have been digging on it since. The 2x10 configuration is new to me but something I've always wanted to try.
I was going to (and would still) recommend Allen amplifiers. Various models & configurations that are inspired by certain Fender amps but with some nice additional features eg a mid control on most. Allen amps also typically offer a RAW control that adds grit, drive etc. It is really an eye and ear opener and has reduced the need for a compressor or boost or low-gain OD much of the time. Reverb on some Allens is the full 3-knob Fender palette (dwell, tone, mix) or at least a 2-knob (reverb level and a very useful tone control). And the tremolo is killer.
At present it's 22w using 6L6 but can become 35w if changed over to 6V6 and a solid state rectifier.
But...true boutique amps typically come from...boutiques and Allen's namesake founder has sold his operation. During the transition period I'm not sure how much actual production/order fulfillment is happening. I managed to find a lightly used Allen Encore and have been digging on it since. The 2x10 configuration is new to me but something I've always wanted to try.