rdjones
Tele-Holic
I've had a large number of various eras of Fender amps pass through my hands during my years as a dealer. Only two actual "64-67" examples remain:
1966 Bassman
1964 Princeton (nr)
The Bassman is mostly unmolested, but the Princeton is one of those heavily modified "Prune Boogie" amps where only the hacked up shell is left.
I also have several late CBS blackface amps that I have hung on to:
1980 Bassman 135
1981 Champ
1981 Deluxe Reverb
1982 MusicMaster Bass
1983 Champ II
Note that Fender did not have an exclusive monopoly on blackface control panels.
Aireon jukebox amps used blackface panels as early as 1946.
Same with brownface plates, Bell & Howell was using a brownface at least by 1955.
The Champ is modded for 6L6 with a Champ 12 output transformer, balanced heaters, ¼" speaker jack and Legend 10". I usually run a 6V6, though.
1966 Bassman
1964 Princeton (nr)
The Bassman is mostly unmolested, but the Princeton is one of those heavily modified "Prune Boogie" amps where only the hacked up shell is left.
I also have several late CBS blackface amps that I have hung on to:
1980 Bassman 135
1981 Champ
1981 Deluxe Reverb
1982 MusicMaster Bass
1983 Champ II
Note that Fender did not have an exclusive monopoly on blackface control panels.
Aireon jukebox amps used blackface panels as early as 1946.
Same with brownface plates, Bell & Howell was using a brownface at least by 1955.
The Champ is modded for 6L6 with a Champ 12 output transformer, balanced heaters, ¼" speaker jack and Legend 10". I usually run a 6V6, though.