teletail
Poster Extraordinaire
Another millennial with google writing an article on a abject they know nothing about.
My oh my. How '60s of you.Clapton
Bloomfield
Peter Green
Mayall
Butterfield
Hubert playing a Dega Morbidoni.So, when Howlin’ Wolf mentioned, “Hubert”, while he was teaching Clapton, Little red rooster, I said, I gotta find out who Hubert is. I think he’s the guy doing all these crazy snaky leads.
I'll happily go along with Johnson as a first-generation influence and Dixon, Walker and Little Walter as a second- or third-generation influencers.Without T-Bone Walker this list cannot be taken seriously.
If by influential we mean changing the course of the genre, inspiring players and the record buying market a more accurate (in my opinion) list would be:
Robert Johnson
T-Bone Walker
Willie Dixon (more for his songwriting and production, but he was also a hell of a bass player)
Little Walter
SRV
Hm. I'm not going to read the article. We can tell by the list that the writer is talking about bygone acoustic instrument recording artists. Which is fine, even though it doesn't include the immortal B.B.Most influential? Where? Sorry, Ma Rainey and Elizabeth Cotten, but those are purely showoff academia choices.
If a person were inclined to walk a tightrope that way, Billie Holiday had far more influence than Ma or Libby combined.
A list of influential without B. B. King?
R.U.F.K.M?
That’s all I got to say about that.
Almost.
They all stood on the shoulders of giants, so you could pick people like Charley Patton, or any of the musicians featured on the R. Crumb’s card series or buy into the Elijah Wald theory of iconoclasm or F-itty-do-dah, why we gotta care about some bs list, anyway?
These lists are utter nonsense.
I can name artists that were highly influential on me, that's it. Others may not care about them and name different one's, so be it. I may have heard about those, but they never had any impact on me, so I may acknowledge their importance, but they never had any influence on me. And probably those "founding fathers and mothers of blues" had someone else teaching them.....so who cares?
For what it's worth my favorites in no particular order:
Blind Boy Fuller,
Lizzy "Memphis Minnie" Douglas,
Son House,
Seasick Steve,
Bonnie Raitt.
Well, Blind Boy Fuller and Memphis Minnie were the main reasons for me to try out a resonator!According to research done by Elijah Wald in his book on the realities of 30s blues musicians, Blind Boy Fuller, was according to most sales records and jukebox company receipts, the biggest selling blues artist of the 30s.
I always liked him too plus every single thing he ever recorded ? He’s playing a national duolian steel bodied resonator.
Well, Blind Boy Fuller and Memphis Minnie were the main reasons for me to try out a resonator!
Without those guys that I listed, Clapton, Green, Mayall, Bloomfield and Butterfield, who, except for Butterfield and Bloomfield, picked up the blues in England and sent it back to us in a blues/rock form, the blues as a genre might have ceased to exist. We should also add Alexis Korner and the Rolling Stones to the list and make it 7. All of those younger British players, and you can include Jack Bruce, played with Alexis Korner and learned to love the blues through him. If he hadn't liked the blues and had a band that played blues and used all of those young English players who knows how different music might be today.My oh my. How '60s of you.
Most Influential doesn't mean first or earliest.
Just my opinion ....
Albert King
Roy Buchanan
SRV
Buddy Guy
Muddy Waters