I obviously was not at your gig, and have never played a Katana. But my experience does show me that many (and I mean most) guitarists play with WAY WAY too much low end.
Its a function of guys who get a tone they like playing solo at home, and then try and crank those settings to fit a live mix.
I was at a gig...a free concert for the City of Durango last weekend...Memorial Saturday. There was 6 other bands. Of the six other bands I think 5 of the guitarists had their amps dialed with too much low end. There was no time to soundcheck between sets, so the first song served as each bands soundcheck.
The soundman (who did a great job btw) just kept murmuring about guitarists with the too much low end. The 'headliner' played through two AC30's and his amps were right.
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??? Interesting response
well I' ll respond and try to be kind as I appreciate your response.
I do not play with a lot of bottom end, but when I play off the front pup I don't want the amp to break up. I want a BLUESY tone. I don't want to adjust an amp because the speaker can't handle a bit of bottom end.
Please don't lump me in with other players or other bands that you have never heard. Like you said , you were not at my gig and you have never played thru a Katana .
I don't know how many more times I can say that the amp is working just fine now and the INEXPENSIVE speaker in the Katana has been replaced with a robust Eminence. Its a $250 AMP brand new. The speaker in it now is probably $125 or more, on its own .
I own an arsenal of amps which are used for various outings . Different amps for different outings. If I dial in tones I like at home, the amps better deliver that tone on a gig or its GONE.
Otherwise we will be searching for GIG tone "all gig long". We will be trying to adjust our playing style to an amp that can't deliver the goods.
By the way , modeling amps have PRESETS, we write them at home. What do we do, write NEW Presets on the gig ? Each gig ? Each room, each stage ? Now that would be fun.... NOT.
Trying to be kind here, a Sound Mans job is to take the stage sound and bring it out front to the audience. His job is NOT to make any comments about guitar tones. If I had a nickel for Sound guys who totally destroyed our stage presentation over the last 3 or 4 decades I would be a rich guy. There are just way too many people who think they are excellent sound guys or gals, and they are not. They want to adjust the MAINS mix to THEIR personal preference. Thats not thier job. Its not thier show but many times they want it to be. They probably want to be IN THE BAND. The title "SOUND MAN" does not make them professional. Ok enough said on them as I have also been on countless stages with top shelf sound folks and crews. They don't assume , they ask about sound, levels and tones, then work from there. They wait until we are done setting our stage sound, THEN they move forward.
I don't pretend to know more than anyone else, what other people do is not my call , but what I DO is my call. An amp is a tool. It can either perform or it can't. It doesn't matter if its a 5 watt amp or a 100 watt Marshall Plexi. It needs to do what is expected of it.
Do we drive 45 in a 70 MPH zone on the highway because our cars can't quite keep up with 70 mph traffic comfortably or safely ?