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Asher Guitars WD Music Products Amplified Parts Mod Kits DIY Nordstarnd Pickups Warmoth.com

What's the best guitar for recording?

Discussion in 'Other Guitars, other instruments' started by adamlovesgin, Feb 17, 2017.

  1. adamlovesgin

    adamlovesgin Tele-Holic

    505
    Mar 3, 2016
    North Shields
    When it comes to recording, what in your opinion is the ultimate guitar?

    You could argue the strat for it's comfort and range of sounds.

    You could argue the les Paul for it's tone without the hum.

    You could argue the tele for it's chameleon-like versatility
     

  2. ZenGuitarist

    ZenGuitarist Tele-Meister

    352
    Jul 25, 2016
    Alberta, Canada
    All of the above, plus every other type of guitar in existence. As long as the guitar is in tune, you can make anything sound great on a recording.

    A better question to have asked would be what is the worst guitar for recording because there actually is an answer to that question - air guitar.
     
    badfish_lewis, Route67 and TigerG like this.

  3. adamlovesgin

    adamlovesgin Tele-Holic

    505
    Mar 3, 2016
    North Shields
    I've always found single coils, especially P90s to be pain with that constant buzzing.... Then again the Les Paul is a lump...
     

  4. ZenGuitarist

    ZenGuitarist Tele-Meister

    352
    Jul 25, 2016
    Alberta, Canada
    I'm not going to take the bait and get drawn into a debate about what guitar is the best.

    I've recorded with single coils and P90s without any problem. As for the weight of a Les Paul (mine is 11.6 lbs.), I'm always sitting down when I record so the weight of the guitar is a non-issue for me.
     
    Last edited: Feb 17, 2017
    Tonetele and lineboat like this.

  5. TigerG

    TigerG Tele-Holic

    675
    Aug 14, 2015
    Nashville
    This
    Angel.png

    An ES-335 with Bill Lawrence L609's. Those L609's live in that magical in-between space, combining the best qualities of single-coils with the best qualities of humbuckers.
     
    FenderGyrl, RyCo1983 and songtalk like this.

  6. Route67

    Route67 Tele-Meister

    Age:
    50
    368
    Jan 14, 2017
    Canada
    Yes, all of the above, and more for variety, D-18, D-28, etc. Studio musicians back in the day like Jimmy Page employed whatever was available. The wider the palette the greater the range of sound.
     
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  7. adamlovesgin

    adamlovesgin Tele-Holic

    505
    Mar 3, 2016
    North Shields
    That bridge,,,, what's that a floyd rose?
     

  8. Felino

    Felino Tele-Meister

    299
    Apr 28, 2016
    Belgrade
    Add to that acoustic, classic, semi-acoustic, active humbuckers types...
     

  9. brookdalebill

    brookdalebill Telefied Ad Free Member

    Age:
    60
    Nov 15, 2009
    Austin, Tx
    A Gretsch Chet with either original Filtertrons or TV Jones replicas.
    It's just my well considered opinion, but it sure works for me.
     

  10. 3-Chord-Genius

    3-Chord-Genius Friend of Leo's

    Apr 3, 2015
    Winchester, VA
    I could argue that it could be any guitar you own.

    I could also argue that I owned a MIM strat with DiMarzio HS-series pickups (the ones that Malmsteen used), which are noiseless stacked-humbuckers, and it sounded beautiful when recorded, clean or with distortion.
     

  11. ebb soul

    ebb soul Poster Extraordinaire

    Age:
    57
    Jun 7, 2016
    Smyrna georgia
    A guitar with noiseless, transperant pickups, if I had to choose just one for recording,..it would actually be quite bland and be a good base for plugins and modeled.
    Possibly lace sensor equipped.
     
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  12. songtalk

    songtalk Friend of Leo's

    Any guitar is fine if you have a good engineer.
     
    SPUDCASTER, tery, Felino and 3 others like this.

  13. kennl

    kennl Tele-Holic

    964
    Feb 6, 2007
    Moon Township, PA
    +1
    or EMG's
    harder to "fix it in the mix" if the recorded track has too much mojo
     
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  14. ebb soul

    ebb soul Poster Extraordinaire

    Age:
    57
    Jun 7, 2016
    Smyrna georgia


    ..which leaves my tele completely out, the mojo can not be squashed!
     
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  15. TigerG

    TigerG Tele-Holic

    675
    Aug 14, 2015
    Nashville
    It's a late 70's Ibanez Gibraltar bridge atop a big brass block. The brass went in because the wood there didn't survive a long slow exploratory conversion to left-handed very well.

    Edit: Or are you talking about the tailpiece? That's a Hipshot Trilogy. It allows flipping between tunings very easily, three pre-set pitches for each string.
     
    Danjabellza likes this.

  16. UsernameTaken

    UsernameTaken The Smooth and the Fast Ad Free + Supporter

    144
    Jan 31, 2017
    Earth
    The one that inspires new heights and greatness!
     

  17. John Owen

    John Owen Tele-Afflicted Ad Free + Supporter

    Age:
    60
    Jan 29, 2010
    Seattle, WA
    For me the instrument choice is dictated by the nature of the music being recorded. A plain vanilla tele can cover a bunch of the bases for me but, if the song is begging for a LP kind of sound, or an old time bluesy boxy acoustic sound, or a big dreadnought, or a jazzy archtop, or a Ric 12-string jangle...you get the idea. If I don't own what the song wants, I'll try to borrow the right tool for the job.
     

  18. TMMC

    TMMC Tele-Afflicted

    Apr 3, 2013
    SLC
    What's the best thing to eat when you're hungry?


    There is no correct answer because every answer is potentially correct.
     

  19. Joshiquad

    Joshiquad TDPRI Member

    34
    Feb 7, 2017
    Wisconsin
    The one you're playing when inspiration strikess.
     
    studio1087 and lineboat like this.

  20. Zepfan

    Zepfan Friend of Leo's

    Nov 30, 2013
    Horn Lake, MS
    Which guitar do you play the best on?
     
    lineboat likes this.

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